The Cure

I thought it was a great piece, although I'm no particular fan of The Cure. Indeed what K-punk points to, their "sickness", actually puts me off them really- listening to 3 Imaginary Boys recently, I loved the music (swift, edgy, though admittedly somewhat Joy Division derived) but the lyrics were to me wholly ridiculous. The problem is a very personal, emotional one- although I like some miserable music, I simply can't be doing with bands who have lyrics like "the wind is blowing like it's the end of the
world and it's so cold it's like the cold if you were dead" or whatever. I just can't relate to it whatsoever.

Still, a great piece I think.

The writing was so fantastic, on the spot, that I really would have loved that those Cure albums sounded to me like Mark describe them, instead of (the occasional track apart, the Forest, Charlotte Sometimes, the early singles...) leaving me quite cold. K-Punk writing on the music of Cure was better and had more insight than the Cure music itself, for me.

Mark should begin to write for magazines, both on music or politics or philosophy. K-Punk had become the best written and full of interesting ideas blog that I know.
Thanks Mark.

francesco said:

K-Punk had become the best written and full of interesting ideas blog that I know.
Thanks Mark.

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"become"???

i think he's had that status for a while now!

What does "Seventeen Seconds" signify? Why did they pick that name?

DigitalDjigit said:

What does "Seventeen Seconds" signify? Why did they pick that name?

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its the measure of life....



duh!

droid said:

its the measure of life....



duh!

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I know next to nothing about the Cure, sorry. I was just wondering because there is a classic Russian spy TV show set in WWII called "Seventeen Moments of Spring".

might have misremembered this but i think w/ Seventeen Seconds, each song is a different angle on seventeen seconds in a life -- seventeen seconds in the breakup of a relationship -- a turning point seen from multiple angles

that album's by far my favourite Cure record, the next two are just so blank and dispiriting, they're unbearable

surprised mark the anti-sexualist didn't mention the meaning of 'all cats are grey' -- again might have garbled this in memory, but isn't that some French saying basically meaning 'all vaginas are the same when it comes down to it'

another thing about the Cure is how they initially resisted the shift away from Darkness to New Pop that so many of their contemporaries took, they stayed true to the Joy Division joyless vision thru Faith/Porn... then belatedly staged their own New Pop manevuer with The Top and Head on the Door.... the transitional record being 'the walk' which is "dance music" but about a visit to a mental hospital or something!

(or perhaps the transitional record was "let's go to bed' --a seriously unsexy record!)

maybe it was New Order's shift to pop that legimitized going pop for the Cure?

whereas Faith/Pornography seem to come from the same place as Movement -- death-wish but stripped of the grandeur of Closer -- this stilted limbo of non-life

yeah Kpunk = the don dada of the scene no doubt

blissblogger said:

that album's by far my favourite Cure record, the next two are just so blank and dispiriting, they're unbearable

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That's why I love them. But claiming that they're somehow similar makes me wonder if you have even heard Pornography. Faith, surely, is a completely empty monochrome, but Pornography is full of dizzy, labyrinthine detail, really psychedelic.

I prefer the coordinates of <i>Seventeen Seconds</i> to <i>Faith</i> but the former record can seem a bit slight and unrealised apart from its key moments ("A Forest" is of course untouchable, and the dancey "A Tree" mix they made later on is also surprisingly ace, a premonition of the best electronic tracks on The Rapture's album).

I agree with Simon that it has always seemed like The Cure were following New Order's example during the early-to-mid 80s ("The Walk" as their "Blue Monday" obv) culminating in "Inbetween Days" which sounds rather blatantly like it should be on <i>Power, Corruption & Lies</i>.

I still love 17secs/Faith/Porno - great albums - some of their best work...

Again, reading about the music makes me wonder why I like all the post-punk stuff so much--while I am a "serious" person, I haven't really had a "goth" (or even Pop Group-ish) day in my life. Makes my continual returning to Can seem reasonable --the lyrics are generally obtuse enough that I can ignore them/take them as an instrument without feeling I'm willfully ignoring something the artists wanted me to invest in (probably why I don't really like Joy Division that much---the lyrics come off as so inescapably central to the whole endeavour). On the basis of sound alone, I prefer 'Faith' above the other two.


The mention of 'Apocalypse Now' as the post-punk film--I was thinking about that just the other day. It seems like a visual encapsulation of the same philosophical/literary "pretentious" strands that my favourite kinds of post-punk were picking up on (though it certainly has a narrower band--how could it not?). Even the "Dr. Who music" score seems to have heard the same records as the iced segment of the post-punk sphere. But I'd always held 'Blade Runner' as a "post-punk film," perhaps more--though it's romance for the aesthetic trappings of early filmic/cultural modernism (the noir/pulp/gritty stuff) may disqualify it as insufficiently "modernistic".

soundslike1981 said:

while I am a "serious" person, I haven't really had a "goth" (or even Pop Group-ish) day in my life.

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Not even Siouxsie or Dead Can Dance? (I am re-learning genres after moving to the UK,
didn't think these were goth until I bought the NME's "Goth" reprint, thought goth was
Sisters of Mercy and that lot)

And did anyone else see that thing on BBC4 on Friday
(30 minutes of punk/postpunk bands, archives from Tony Wilson's TV show up north)
- was that not Ian Curtis dancing his special dance on the right side of the screen
with The Jam playing on stage?

Ness Rowlah said:

Not even Siouxsie or Dead Can Dance?

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I may not have been clear. I love Siouxsie and like a lot of the Cure, Bauhaus, Killing Joke, etc.---I like a lot of bands that tend to get called "proto-Goth" I guess. But I've never once had a moment where I felt compelled to wear all black or be self-dramatic in that way. I guess I've never felt participatory in the ephemeral "culture" of any musical sub-genre; I just like music too much.

Sorry haven't ignored this thread.... it had passed me by!

Thanks for kind words from everyone... much appreciated...

I did what I always do for long music posts, and try and get into what Tom Vague used to call method criticism... completely immerse myself in the albums for a week or two then kind of report 'from there'...

what stops Faith and Pornography being unbearable for me is Smith's Pop talent - you find yourself humming along to even the bleakest Pornography tracks...

As for the student canon - I'm not sure how far Faith and Pornography in particular have been assimilated into that ... The Top and everything after, for sure.... but Faith and Pornography make moping so cosmic, so inescapable that they're too extreme to become student disco e-zee listening fodder ...

No, didn't know that about 'all cats are grey' but it is one of their best tracks.... was thinking the other day actually how profoundly unsexual The Cure were, particularly on those three lps. Their return to heallth is signified by a return to eroticism. Btw, while I have no particular affection for them, I think that the Cure's entryist New Pop-Late efforts are much better than New Order's (their mid eighties stuff is now painfully dated surely); also there seemed to come a point where NO were influenced by the Cure...

as for the suburbs: I'm with Bracewell there, they are the absolute backbone of english pop...

Does anyone know anywhere to get footage of them at the Paris Live8 gig?

No but i heard that they played '100 Years' and that they were at their bleak best.

Has to be better than Razorlight and Snow Patrol, eh?

(Maybe it will be repeated on BBC Four?)

k-punk said:

No but i heard that they played '100 Years' and that they were at their bleak best.

Has to be better than Razorlight and Snow Patrol, eh?

(Maybe it will be repeated on BBC Four?)

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I came back from a party I had DJ'd at that night which went mental and got back to the house around 1-2am a little bit high and when I turned on the TV The Cure were performing unbelievably. I was totally glued to the performance - would love to see it again.

k-punk said:

Btw, while I have no particular affection for them, I think that the Cure's entryist New Pop-Late efforts are much better than New Order's (their mid eighties stuff is now painfully dated surely); also there seemed to come a point where NO were influenced by the Cure...

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I find all of New Order's post-Power, Corruption, and Lies material incredibly dated too. Even their new records seem dated almost the moment they're released.

10:02am said:

I find all of New Order's post-Power, Corruption, and Lies material incredibly dated too. Even their new records seem dated almost the moment they're released.

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I'd take the video mix of Perfect Kiss over the entire Cure catalog

I do have more use for some aspects of the later Cure than you seem to Mark--there's not much separating "Plainsong" from Bark Psychosis far as I can tell. Disintegration (at its best, which is only about half) is more than comfortable, its amniotic. Wasn't one of that era's b-sides called "Babble"?