Sonic Triumph of Kubrickian Glam

I've been listening to Roisin Murphy a lot since her break with Moloko. This 'exiled princess of glam' is in top form in this brilliant video of a superlative pop song (Overpowered). It is no coincidence that the former group she fronted for many years was called Moloko, for it directly acknowledged the huge influence of ACO both on the development of popular music (particularly Glam art-pop, from Bowie to Roxy, and razor synth pop). If Kubrick were still around, and made a pop video, this would be very close to it (even the lyrics are dispassionately machinic and neuroscientific!).

Clearly, the director of the video, Jamie Thraves (who has also made videos for such groups/musicians as Radiohead, Coldplay, Goldie, Manic Street Preachers, The Verve, etc) has studied Kubrick's films: the very first shot of the video directly references droog-Alex standing over the Tramp in the brutalist-concrete underpass near the start of ACO, while the sequence of shots of Roisin uneasily moving through night-time seedy London streets [creating a brilliant and uneasy tension between the seamless fantasy of glamour and the contrastingly seamy and mundane quotidian urban-social reality] cannot but uncannily remind us of Dr Bill Harford walking as if in an ontological daze through the equally blurry and disordered Manhatten streets in Eyes Wide Shut, following his encounter with Marion, the distraught daughter of a recently deceased client-patriarch. It's almost as if Roisin earlier picked up her magnificently outrageous costume at Milich's Rainbow Fashions - even her hat [actually designed by Schiaparelli] looks like one of the masks worn by the elite but degenerate guests at Somerton ...

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Tyro said:

You forgot to mention that the song sounds like ''Dont Go'' by Yazoo played through a filter.It might have been acceptable in the 80's....But now?

Got anything else to sell?


http://www.myspace.com/thekandytangerineman

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I didn't 'forget', because it bears no relationship whatsoever to Alison Moyet's aggressively pastiche, adolescent-emoting, narcissistic 1980s grasping-predatory dirge. Whatever could you be thinking?

And BTW, whatever makes you imagine that 'now', that today's listeners are more exacting, more demanding, more critical, than those of 20+ years ago? That is to laugh.

I'm not 'selling' anything, little boy; on the contrary, as should be obvious to every dog on the street for the past three years hereabouts, that's actually the very insular raison d'etre of most posters on the Music section of this forum, which is why I've actually avoided it in principle for so long ...

Put a little more thought into your posts/responses here before hopelessly embarrassing yourself in future.