UFO over easy
online mahjong
probs just parts rearranged in ableton? same with tea leaf dancers. i love how he uses it. great presence as well, very human even on a computer. something you don't get from listening to a recording
Yeah, I can't really say I like dubstep, but think DMZ are pretty special.It also reminded me of just how brilliant Digital Mystikz were(/are). Their productions really are masterful and genre-defining. Anyone remember "Neverland"? God damn.
Over the weekend I listened to Youngsta's installment of the Dubstep Allstars series. At the time of its release, I wasn't really into Youngsta's sets because I found them just a little too stark and cold. Looking back from where dubstep currently is at I have grown a newfound appreciation for them - if only as a reminder of a time when dubstep could still retain that "darkness" without relying on overt, noisy aggression, conspicuous drum and bass influences, or sacrificing deep enveloping sub-bass as the tune's structural backbone.
It also reminded me of just how brilliant Digital Mystikz were(/are). Their productions really are masterful and genre-defining. Anyone remember "Neverland"? God damn.
he's got a wicked ear for sound...and Loefah with his icy precision
It also reminded me of just how brilliant Digital Mystikz were(/are). Their productions really are masterful and genre-defining. Anyone remember "Neverland"? God damn.
Loefah with his icy precision
I'm still massively into vintage Loefah - rather excited about his new label (I'm a sucker for labels that set out to create their own oeuvre) - I reckon cos his stuff is so junglistic, engineer music you know - it's like listening to 1995 Ed Rush or earlier Photek at his hardest/darkest....
Over the weekend I listened to Youngsta's installment of the Dubstep Allstars series. At the time of its release, I wasn't really into Youngsta's sets because I found them just a little too stark and cold. Looking back from where dubstep currently is at I have grown a newfound appreciation for them - if only as a reminder of a time when dubstep could still retain that "darkness" without relying on overt, noisy aggression, conspicuous drum and bass influences, or sacrificing deep enveloping sub-bass as the tune's structural backbone.
It also reminded me of just how brilliant Digital Mystikz were(/are). Their productions really are masterful and genre-defining. Anyone remember "Neverland"? God damn.
cyrus is massively massively under-rated. seriously.
The second tune really sounds like a downtempo DNB tune with that rolling bassline and 2-step beat... although at the start it almost sounds like a burial tune.