Reynolds on Caspa's LP. http://www.guardian.co.uk/music/musicblog/2009/may/01/caspa-dubstep-wobble-yob
MMS: did he quote you?
MMS: did he quote you?
i've heard people - dubstep fans and otherwise - saying that caspa's tracks just remind them of pendulum at a different bpm, so i don't know if that's true.Probably. But not necessarily. See, the curious thing about the anti-wobble backlash is that whatever you might say about the style –crude, concussive, an instant cliché – it's the one time that dubstep has actually sounded like nothing else around.
Reynolds on Caspa's LP. http://www.guardian.co.uk/music/musicblog/2009/may/01/caspa-dubstep-wobble-yob
MMS: did he quote you?
Why does "macho" always come up with Caspa's music? Well, he has talked in interviews about how his ideal night-out is "to get on the lash, get smashed off my tits, and get in a fight with someone". He nominated The Football Factory, a film about soccer hooliganism starring Danny Dyer, as his favourite film. On Everybody's Talking, Riot Powder is named after a nickname used by Feynoord fans for cocaine, which they take to whip themselves into a berserker frenzy and numb them to the pain of close combat. Watch the Holland episode of the documentary The Real Football Factories (also fronted by Dyer) to hear DJ Paul Elstak describe Rotterdam hooligans going to gabba raves, partying all night and then heading straight to the terraces still buzzing on drugs.
Still, there's a bit of a double standard here, I think. When grime artists act gangsta (Terror Danjah's Cock Back, D Double E rapping about how bullets will make your face cave in), that's usually justified as reflecting street realities, or made allowances for as teenage boy-man overcompensation. But when Caspa does it, he's the Guy Ritchie of dubstep.
This is exactly why I have got quarms against, not just Caspa & Rusko's music, but theyre interpritation of dubstep, If thats theyre whole outlook on british 'culture' then dark days be these.
Interesting point, though - he's hitting on the old jungle distinction between 'progressives' trying to make it sound like something else and the 'mainstream' trying to make it sound increasingly like (a particular version of) itself.
Also it seems a bit weird that the whole thing has coalesced into a kneejerk hatred of a particular sound, rather than a (more reasonable) complaint against a certain vibe, a certain style of DJing (all wobbly bangers all night), or a certain approach to producing. So many people say they hate wobble, how many of them hate (eg) One Blood One Source by Pinch...
On which note, could someone please explain to SR what an oscillator actually is?
Reynolds on Caspa's LP. http://www.guardian.co.uk/music/musicblog/2009/may/01/caspa-dubstep-wobble-yob
I got the slightly weird impression from it that he wants to like Caspa and the wobblecore sound more than he actually does.
it's not the wobble that's the problem though, is it, it's the lack of imagination and the shitty colourless dull mid-range to it all. rsd's stuff wobbles like fuck, ditto skream's prime stuff, and that's all amazing; there's a presence to it that caspa very rarely achieves.