“Nostalgia goes beyond individual psychology. At first glance, nostalgia is a longing for a place, but actually it is a yearning for a different time - the time of our childhood, the slower rhythms of our dreams. In a broader sense, nostalgia is a rebellion against the modern idea of time, the time of history and progress. The nostalgic desires to obliterate history and turn it into a private or collective mythology, to revisit time like space, refusing to surrender to the irreversibility of time that plagues the human condition.”
“As for time, it is forever shrinking. Oppressed by multitasking and managerial efficiency, we live under a perpetual time pressure. The disease of this millennium will be called chronophobia or speedomania, and its treatment will be embarrassingly old-fashioned. Contemporary nostalgia is not so much about the past as about vanishing the present.”
“This kind of nostalgia characterizes national and nationalist revivals all over the world, which engage in the antimodern myth-making of history by means of a return to national symbols and myths and, occasionally, through swapping conspiracy theories. Restorative nostalgia manifests itself in total reconstructions of monuments of the past, while reflective nostalgia lingers on ruins, the patina of time and history, in the dreams of another place and another time.”
“From the seventeenth to the nineteenth century, the representation of time itself changed; it moved away from allegorical human figures— an old man, a blind youth holding an hourglass, a woman with bared breasts representing Fate— to the impersonal language of numbers: railroad schedules, the bottom line of industrial progress. Time was no longer shifting sand; time was money. Yet the modern era also allowed for multiple conceptions of time and made the experience of time more individual and creative.”
“What is crucial is that nostalgia was not merely an expression of local longing, but a result of a new understanding of time and space that made the division into “local” and “universal” possible. The nostalgic creature has internalized this division, but instead of aspiring for the universal and the progressive he looks backward and yearns for the particular.”
“Nostalgia was diagnosed at a time when art and science had not yet entirely severed their umbilical ties and when the mind and body—internal and external well-being—were treated together. This was a diagnosis of a poetic science—and we should not smile condescendingly on the diligent Swiss doctors. Our progeny well might poeticize depression and see it as a metaphor for a global atmospheric condition, immune to treatment with Prozac.”
The Future of Nostalgia - Svetlana Boym