the aim of millenial cross-over trance wasn't to find interesting things to rhythmically, nor to create tripped-out zones of repetitive escape - it was simply to create the most dramatic, OTT display of musical euphoria - the rush when everything gets dropped out and comes back in. I don't like a lot of this stuff for dancing to - it can get monotonous, all those hands-in-the-air breakdowns - but I love this as texture, the opulent strings of Barber turned into digital hits, the way that it just grows and grows.