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gotta say I'm loving the analysis from you Woebot =) articulated like I could only dream of! Sent from my GT-I9195 using Tapatalk

SO GOOD Sent from my GT-I9195 using Tapatalk

punch punch punch punch blaze blaze blaze blaze

I would be tempted to argue that that's kind of the point. disclaimer: I love pretty much everything he writes. Sent from my GT-I9195 using Tapatalk

I know this is a while back but... whaaaat??? first two mixtapes are so good!

oops double

this this a thousand times this

wearing trackies and stuff isn't new...

fair - I do get what you mean about kano tbh. some craaazy good bars still though. guy is a poet.

I ain't got a watch / I don't fear no man I ain't got to watch / watch what / guess who / I ain't part of a bullet-proof vest crew

My favourite bars are when the accent is just after the beat, that little gap. Boy in the corner is full of that. Wiley too. Grime is grimey, the extremity of syncopation is such a fundamental aspect of the sound. that's why when I hear hip hop i'm just like, not bothered - very much less vibe.

Pearsall - huge mix! loving it :)

hold tight Southend each and every you mean

like with the maniac thing. that was really strange.

made this too

yeah he's done some silly stuff but so many big tunes and bars. https://youtu.be/vMyRagZAMvk

lol fact mag approved

classic

but big up scuba still if only for tense if nothing else!

fair point well made. disagree with "intentionally putting stuff out of time or key is self indulgent bullshit" mount kimbie?