Yeah, that was amazing - add me to the surprised-at-how good-kozzie-was crowd.
Semi-related, has anyone got a link to that Spooky & G Man Oneaway podcast from 2009? Can't find a live link atm
I think it was about the same time as Fuck Radio 1 as there's a fair few similar Low Deep dubs from that era in there?..
Remember the estate agent rumour - think he's managing a bunch of the youngers coming up now
Does anyone remember a Sharkey Major set with Mac 10 from 06-07 that was billed as a comeback sort of thing?
Swear I got a link for it from this thread many years ago - if anyone can re-up it'd be appreciated
This and Slothrop's post above are points I'd never considered before but I think are pretty important. That attitude of wanting to make/promote music 'that girls dance to' is def one I've been guilty of but I think is usually linked to a specific type of girl.
Having spent for time than I'd...
No idea what the player(s) are called but early/mid 70's Barry White productions have the most amazing liquid crystal tones.
Case study no.1:
Already been mentioned up thread but the sound Pete Kember gets out of guitars is always amazing
Yeah, it's Marcus - he's got some amazing bits coming up on [nakedlunch] if you dig around on their soundcloud too.
Not to get get too promo'ish or anything but first EP on my own label here too:
Not sure if it's strictly metal (reminds me a little of Kyuss doing Husker Du) but this remains one of the best things I've heard this year
<iframe src="" width="400" height="225" frameborder="0"></iframe><p><a href="">"Mosquito Hawk" - Tjutjuna</a> from <a...
Def agree with teh Warehouse point.
The Love Movement is my favourite Tribe album. Weird that both TLM & Beats Rhymes & Life are both considered the falling off stage of their career but also have sacred cow dilla all over them
Lol - Alex & Soulja hit the nail on the head.
The matter fallout over there probably precludes them doing anything interesting label wise for the forseeable future
This is a pretty important point - i think people are way more clued up to the realities of putting out a record now than a few years back but it's way more complicatedf than 'i love your tune, you wanna sign it to our new label'
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