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I never agree with all these rules people have about fiction and studies literary people especially seem to pick up these expectations

I do agree that’s bad especially for people allergic to any kind of vinyl worship but do go on

Four eyes

But you don’t have to take it out on us

You were bullied in school

What are you like in person? Shy and awkward I’d imagine

The first person collection? I bought it and also hated it

Has anyone read kevin Barry @droid

boring and patronising. You and Luke trade on this forum legacy but isn’t cool… you’re literally 50 years old lads act accordingly

You’re a sad bastard craner

Imagine being as clever as he is and spending your time demeaning alcoholics with pithy one liners on a dead forum, for twenty years

That’s really pissed me off

Get over yourself and get involved you pretentious cunt

@jenks and @you may have already read this one so feel free to start

better than the book club we never do for obvious reasons. rules: read story and review and reflect and show off, the person with the best response is chosen by story sharer to choose next one https://www.newyorker.com/magazine/2021/12/13/a-shooting-in-rathreedane

It's about hypnosis and trapping a feeling

this is such a magical tune. something captured in it

Watched this the other day. I wish I hadn’t read too much before because it would have been more uncomfortable. It is very effective, the scenes that stood out were the garden tour scene, the children playing and the argument about the transfer. I wouldn’t watch again, the point has been made...

But yes I am under a lot of stress and burning the candle at both ends. Luke somehow picks up these vibrations from the other end of london

It was a series of reactions to a flawed but very entertaining film rather than a coherent ‘take’