Were you to try and do some serious music journalism about dance music, who would publish it? My deep tech bit was more on the side of 'bigging up music I like' than deep cultural analysis and even then it felt luxuriously esoteric in the context of the Guardian's other music writing.
It's why for how insanely slow dissensus has got recently even compared to my joining a couple of years ago, let alone to those hallowed golden years where everyone was calling everyone fascists and getting kicked off the board, were it to disappear altogether it would still be a massive loss. A community of people who care about and think about and write about dance music and constantly uncover the best new and old music. Totally unthinkable in Japan for one, and actually kind of an amazing thing.