subvert47
I don't fight, I run away
A lot of them approach this partly as a political thing, don't they? Kind of like an improvised performance is a microcosm of how people can relate in an anarchist society or something? Don't really know much about this, but that's the impression I've picked up from the odd interview in the Wire, at least. I'd be interested if anyone knows more about this angle...
to a certain extent, yes
if you want to know more you should read Eddie Prévost's book No Sound Is Innocent