it's no doubt 'changing-same' music, but that's what (when i'm at my most enamoured with it) i find so exciting about it. it's taken it's musical cues from lots of high energy music and turned them completely on their head to create this ethereal, disembodied, mediative music. that fact that most of the tracks sound the same; the same mumbling mcing, the same drums, the same piano lend to the music's mantra feel. it's womb music. listen to it the way you would listen to eno's 'on land' rather than how you'd listen if it was grime.
lol. yeah lined paper please.
'spartans dip like custard creams'
chocolate darlings custard creams
it could be christopher biggins
i secretly like this music now. i find it soothing. all those quiet voices
and low key instrumentals.
it occupies this specific sonic range thats very calming
Corpsey rightly mocked me for saying it’s like eno/ambient music, but i was in to something.
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yeah there's no doubt and the voices fit into that too. not many spiky voices or raised
cracking voices. soft edges. blurry.
The dissolution of the self into gang anonymity. Meditation for the man dem.
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the group identity. the refusal of the face.
'only white men have faces'
delueze and guattari
easy this innit
social psychedelia