Not to be a grime nerd, but do you know when there's that time Martin interviewed Dizzee, and he plays Dizzee the Wiley "Letter 2 Dizzee" and he listens to it, and Dizzee is just at the end of it so annoyed and perplexed? Every time I look at that site (three or four times now) I know exactly how he must have felt. It radiates with the fake-wokeocity of a "Zeitgeist" or the new one doc everyone was going on about by Adam something or another.
I never get to listen to too much of the score so fair play to Jamie I bet making sounds to describe the dread of capitalism in the digital age as a hellscape is easy for him. But the dude behind The Sprawl... To be perfectly forward, I used to follow this guy on tumblr because he had a podcast in Berlin where he hosted an early Kuedo set, and had typically 'left-field' music, which is great obviously I benefitted from it. BUT, once we play into the game of OH WELL LOOK WHAT THE EVIL CORPORATIONS OF THE WEST DO, BUT WHAT I DO WITH MY ART ORIENTED FRIENDS IS 'REAL', IT HAS NOTHING TO DO WITH BIG DOLLAR SIGNS...
There's got to be a way to be more genuinely benevolent about trying to navigate shit like that, not just have your Phantom of the Paradise moment.