Current 93 are very silly, even by goth standards. Best thing they ever did was Side 2 of Nature Unveiled (or whichever side it is that has Annie Anxiety speaking in tongues at the start), but they pretty much ceased to be 'industrial' (or listenable) after 'In Menstrual Night', when Tibet apparently received the misguided revelation that he could sing, or that the world needed a Death In June MkII, albeit with cryptic lyrics about missing cats and Noddy.
To me, Coil were two separate groups: the urban 80s/early 90s in-your-face gay occult disco merchants, who ruled, and the bunch of knackered old rural fairies who sullied the early 2000s with a load of pre-Ghostbox crap about broccoli and night elves that excites dad bloggers so much. 'Scatology', 'Horse Rotorvator' and 'LSD' are all you really need. 'Time Machines' is OK but I'm very picky about drone since hearing 'Chaotica' by Tom Recchion. Sadly, they are proof that dabbling in the dark arts often leads to penury and death by misadventure.
NWW records are amazing just for the artwork alone, though I kind of went off him A BIT when listening to some of those 'NWW list' records and realising he ripped off huge chunks of them. Not just samples, but whole sections of music got lifted. That said, I'm glad he's still churning them out and frustrating record collectors with limited editions of 23 with silkscreen covers that go for £500 on Discogs.
Obviously only a complete loser would listen to Muslimgauze. Psychic TV were OK, sometimes, I guess, but as an ex-cat lick, I never really got into magick - been there, done that with real saints. Everything TG did between 1975-1981 was amazing and even that rubbish comeback album they made couldn't destroy that.
"I think nearly everyone in this genre or into it is fucked up or damaged in some way" - Kevin Tomkins, Sutcliffe Jugend