https://www.cafeoto.co.uk/events/toph-presents/

London-bound with some fellow Northerners, feel free to come say hi.

SATURDAY 9 MARCH 2019, 7.30PM

GWILLY EDMONDEZ emerged from the secret currents that can be sensed in Bridgend even to this day. Since the early 1980s he has trodden a path that leads as directly out of form, reason and calculation while forever being distracted by the lure of pop celebration.
gwillyedmondez.bandcamp.com

MARIAM REZAEI & YOL is two turntables and a microphone. Mariam provides the fractious splintercore decks-terity while Yol literally spits bars. Phlegmatic id-scrapers from the depths/deaths of the British High Street.
https://mariamrezaei.bandcamp.com/album/blud
https://yolnoise.bandcamp.com/album/hand-of-glory

SW1N-HUNTER is the life-long learning project of Adam Denton. Drawing on notions of frequency sculpture, prepared electric guitar/instrumental mutations, field recording, human/machine utterance, tape manipulation, feedback systems etc etc... Denton is one half of noise duo Trans/Human and co-director of The Old Police House.
https://swarmusick.bandcamp.com/albu...conditions-1-5

1727 is the ritual electronics project of Esmé Louise Newman (Penance Stare, Commiserations, Etai Keshiki et al). 1727 performs semi-improvised pieces from self-oscillating electronics and processed voice, creating a bleak and unsettling ambience that draws influence from both grey industrialism and arcane occultism in equal measure.
https://seventeentwentyseven.bandcamp.com

KENOSIST is the dancefloor-adjacent guise of Weird North stalwart Mark Wardlaw. Driven by neccessity and ideology into a "cheap hardware/free software" approach, he builds ever-mutating sonic ecosystems of drum machine polyrhythm and slo-moving synth warp. Rhythmically compulsive on the micro-level, zooming out into deep-time meta-rhythms for the non-human crowd. Object-oriented psychedelic disco, on a budget.
https://swarmusick.bandcamp.com/album/swarm-trax

WREST is Jamie Stuart, Northumbrian ambulator and detritus annihilator. Virtuoso space-occupation and object-to-object interaction, all imbued with deep coastal Rust Belt sorrow.

SWARM FRONT is a quasi-amorphous collective of sonic /cultural dissidents and anti-creatives. Weaponising the banality of liberal institutions, they use text and sound to construct crude folk-magick hexes against the bastions of reasonable culture.
https://swarmusick.bandcamp.com/albu...bailiff-kettle