finally listened to this and absolutely love the forward momentum and continuity of the slow attack pianos, i feel like a fair bit of the drill i've heard uses them in a kind of one chord at a time, spacial way. but this is like, a very rich piano arp suspended above this slinking drum line that coils inward only to lunge forward again. the quick upward glide of the bass is that lunge. continual tension and no release, a plateau. should probably zone in on specific lyrics to touch on that aspect, bc ofc i'm not familiar w what they're really talking ab but the generalised language, the code, of any of this stuff gives occult gravity to what's being said, it's meant to have that multiplicity and that very multiplicity gives the outsider the opportunity to infer what's going on by analogy (thug's "i'm not a fish eye, fool you, bitch this a peep hole", his whole thing is this really i spent years with it), see Rap Invocation thread