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Thread: Read Serious Poetry with me & Corpsey

  1. #106
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    Last night I was stoned as fuck and high on life too and I came across this Keats poem which I've never read before:

    After dark vapors have oppress’d our plains
    For a long dreary season, comes a day
    Born of the gentle South, and clears away
    From the sick heavens all unseemly stains.
    The anxious month, relieved of its pains,
    Takes as a long-lost right the feel of May;
    The eyelids with the passing coolness play
    Like rose leaves with the drip of Summer rains.
    The calmest thoughts came round us; as of leaves
    Budding—fruit ripening in stillness—Autumn suns
    Smiling at eve upon the quiet sheaves—
    Sweet Sappho’s cheek—a smiling infant’s breath—
    The gradual sand that through an hour-glass runs—
    A woodland rivulet—a Poet’s death.


    I was totally transfixed by this poem. It seemed Shakespearean ("when to the sessions of sweet silent thought...") to me. I love the "anxious month" taking "as a long-lost right the feel of May", and the images, particularly the "eyelids with the passing coolness" fluttering like leaves under "Summer rains".

    Then I read "Ode to a Nightingale" which of course I have read before. I think this might be one of the greatest poems I've read, an incomparably transportive poem about being transported. I also realised that there's a conneciton to Yeats's "Byzantium" in the form of the nightingale, whose song transcends time (like the golden birds in Yeats), an image of poetry itself. It's the phrase "No hungry generations tread thee down" that evoked Yeats for me "Those dying generations"...

    Thou wast not born for death, immortal Bird!
    No hungry generations tread thee down;
    The voice I hear this passing night was heard
    In ancient days by emperor and clown:


    Also, I recognised that Keats use of the word "Poesy" is a turn-off for the modern reader, because it seems mock-medieval, but that for Keats it wasn't a ridiculous word. And the Grecian references, which seem stock and flowery to us, are metaphorical - so that he calls the moon a "queen" but we aren't perhaps supposed to picture a faery queen, but the moon, vivified by association.

    "And haply the Queen-Moon is on her throne,
    Cluster'd around by all her starry Fays;"


    I mean this could make you puke but remember he's describing the moon, not a Queen, and it's less sickening. Perhaps.
    Last edited by Corpsey; 09-05-2019 at 09:13 AM.

  2. #107
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    Listening to a reading of "Augeries of Innocence" by Blake kicked this all off.

    It suddenly seemed so obvious, so self-evident to me, last night - why rhythm is "good" as melody is. How studying metre won't unlock that for you, just as studying notation and harmony won't unlock the beauty of melody.

  3. #108
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    Found this - never heard Yeats's voice before, quite interesting - reminds me very much of Joyce's voice.



    Much MORE interesting is how he reads his poetry. Like he's singing it, really.

  4. #109
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    A Little Girl Lost

    Children of the future age,
    Reading this indignant page,
    Know that in a former time,
    Love, sweet Love, was thought a crime!

    In the Age of Gold,
    Free from winter’s cold,
    Youth and maiden bright
    To the holy light,
    Naked in the sunny beams delight.

    Once a youthful pair,
    Fill’d with softest care,
    Met in garden bright
    Where the holy light
    Had just remov’d the curtains of the night.

    There, in rising day,
    On the grass they play;
    Parents were afar,
    Strangers came not near,
    And the maiden soon forgot her fear.

    Tired with kisses sweet,
    They agree to meet
    When the silent sleep
    Waves o’er heaven’s deep,
    And the weary tired wanderers weep.

    To her father white
    Came the maiden bright;
    But his loving look,
    Like the holy book,
    All her tender limbs with terror shook.

    ‘Ona! pale and weak!
    To thy father speak:
    O! the trembling fear.
    O! the dismal care,
    That shakes the blossoms of my hoary hair!’

  5. #110
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    resiliant urge undertaking ledge extent to assault webbing assimilation sequence. decode and align.
    token wealth package assement. procure funding envelope.probe scion network weakness inheritable gene investment. total wipeout sector. align the cycle. this spin venture momentous next outbreak brochure would you take a moment to touch the lip of very gently and procure the model of your desire. this totem valence choke the neck and cant breathe while the numbers add up and love it dont you till gagging and shirt cuffs very white and starched because detail is always at the very edge of the sadistic. coupon redeem next one in repeat the cycle you again disgraceful could you feel at the furthest extremity of the just the limit of the at the very limit of the just in distance barely of the can you hear me?

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    battery of tests run through can't be possible but it help me can't be but it screaming in the guts of anguish into retching into camera will you take take to adept into valley sweep above is panoramic on the wings and soaring this is the vast arc of your dreaming paramount star-glimmer children in the ever-night and laughing hahahahahahahhahahaha
    just your imagination isn't it

    cable my next of tell them terror horror horror tell them shrieking in the abject tell them how i ever but often did it again din of the traffic now no one can hear you slow reverberation of the diesel engines can you slow throb of jet engines up above and even Tashkent Belmopan Dar Es Salaam are they arcing over curve of blue and beyond and into can't you here just grieving patterns of the stomach are just that way of speaking if I wonder could I ever come close again to actual breathing hearing heart and heart and beating but you
    know

    battery acid coagulate remainder accumulate the fatal dosage past the every time just goading now hear again
    could you seagulls in the high horizon, seal head and neck, in the sea-scurf in the flecked atlantic hail in the teal sky which is
    ice on the shoulders and just that edge is mine, locked into bone as suffering. is mine as posesssion, mine.

    grey anticlimax is never as anticipated hurl the bones behind you sobbing
    never be the same again
    fooled
    that is
    not again, but always, just the same way as before.

  6. #111

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    question where do you man stand on Rimbaud?

  7. #112
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    Love it. The only pure poet in history.

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