Mr. Tea

Let's Talk About Ceps
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I started reading a Barron story the other day that's about this guy who goes on a search for his sister, who in turn went missing while trying to find this apparently deathless evil doctor who killed their brother when he was a little kid as part of some kind of weird experiment or occult ritual. But the guy makes a living taking part in gladiatorial deathmatches for the amusement of this cabal of degenerate, ultra-wealthy aristos. And so he's attending the wake for the guy who raised him (and introduced him to the world of gladiatorial deathmatches) and they have this dinner which could have straight out of a writing workshop on how to evoke gothic decadence. And so he meets this anonymous busty heiress and obviously ends up fucking her against the garden wall, and she for some reason insists on having a regular conversation with him about the dead guy while he's fucking her, and...

I mean, it's entertaining enough, don't get me wrong, but I can't shake the feeling that I'm reading what is essentially the extended wank fantasy of a 16-year-old boy. And then it struck me: if Ligotti is the spiritual heir to Lovecraft, then Barron is this century's Robert E. Howard.

I might come back to it but at the moment I'm snacking on Lord Dunsany's Time and the Gods - very, very silly but beautifully written in that ultra-ornate, 'bejewelled' way - in between meals of Infinite Jest.
 

droid

Well-known member
Thats the stand alone novella whose name escapes me at the moment - very different in tone to his other stuff, (though X's for eyes was more of the same). Much more sci-fi and quite a departure for him - reminded me of Burroughs a bit actually. His main schitck is his noir/lovecraftian stuff, which has a more claustrophobic and dread-filled Ballardian thing going on in places.

When I think of Barron I think of the black travel guide, whispers in the pipes, and unspeakable figures emerging from cracks in the rocks to drag people screaming into dark woods. 'The Beautiful thing that awaits us all', or 'Occultation' are much more representative.
 

droid

Well-known member
This is, despite the blurb actually a pretty good attempt to outline events after a cure for aging is found. Certainly some relief after the orgy of new literary apocalyptic sci-fi Ive been wallowing in.

“You got me. I don’t want to die. I’m terrified of death. I fear there’s nothing beyond it and that this existence is the only one I’ll ever possess. That’s why I’m here.”

2019. Humanity has witnessed its greatest scientific breakthrough yet: the cure for aging. Three injections and you’re immortal – not bulletproof or disease-proof but you’ll never have to fear death by old age.

For John Farrell, documenting the cataclysmic shifts to life after the cure becomes an obsession. Cure parties, cycle marriages, immortal livestock: the world is reveling in the miracles of eternal youth. But immortality has a sinister side, and when a pro-death terrorist explosion kills his newly-cured best friend, John soon realizes that even in a world without natural death, there is always something to fear.

https://www.goodreads.com/book/show/12265260-the-end-specialist
 

droid

Well-known member
Yeah, theyre cultists intent on murdering everyone who has the aging cure, and later, just everyone.

Death is a means for terror, not an end, necessarily.
 
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luka

Well-known member
No he actually is. I sort of admire it although he'll get bogged down. I think he's up to Sophecles and it's already taken months and months
 

Corpsey

bandz ahoy
I think reading through the Poetic canon would be a lot easier. I'm starting to think poetry might take the place of fiction for me, as I'm finding it difficult to fit in novels inbetween Netflix and chill.
 

luka

Well-known member
I stopped reading when I got a smart phone. Not being facetious either. Stopped watching films too. And going for walks. Can't do anything that can't be interrupted every couple of minutes. Brain's been reprogrammed.
 

CrowleyHead

Well-known member
*sad slide trombone*

Finished The Burroughs Reader, the Terry Funk memoirs and had to read Coetze's "Foe" for school.

Interestingly there's a common thread here.
 

droid

Well-known member
There was no sun, only a forever of black cloud reaching from horizon to horizon above dark water and the dusty plain before it. Nothing grew there. A cold wind gusted across the grey dust, the ash and cinders, the still water.

His arrival in the emptiness did not go unnoticed. Because the raggedy figures upon the briny shore, where the oily waters lapped and fizzed and lapped and fizzed, raised themselves up wearily and onto their thin legs. Draped in remnants of cloth, the slender arms of these shabby silhouettes were raised to the sky and from unseen mouths came a faint wail.

There were no birds in the air; they formed the terrible flotsam upon the tide of the dead water. In their thousands they surged and flopped. A black flock of feather and bone, upon which the raggedy men descended to scoop them up with their scarecrow parts, and to offer them like treasures brought to a king by beggars.

Kyle came out of the dream, his face strewn with dried tears. He had been dreaming for hours, but only remembered the last scene of some awful torment that ended by a great dead sea. But he did not wake fully. Could not have done.

Bewildered by his passage from such strange sights, and confused by the unlit space about him, he could not understand where he was. There was a room in the distance, its door ajar. A thin brown light flickered around the outline of the doorway. From its rapid stutters the vague odour of things burned and still burning pulsed. Bonfire smells of autumn, the crackle of kindling damp with cold rain, the doused steam of blackened meats, the chill of wet stone.

He tried to move, but the thought failed to become motion. There was no feeling in his limbs; just a numbness, a vacancy inside his joints. His breath failed to come out in more than shallow sucks and pants at the blackness before his eyes, as if some weight pressed upon his windpipe. Or maybe the chambers of his lungs were now too small for the task set them.

An absence of more than light hovered in the wings of his mind. Like a descent into the great cold depths of lightless oceans beneath icecaps and skies without stars, a curious unbreathable gravity pulled him down and down and down, through himself, then out of himself.

Struggling against the nothingness that tried to snuff out the little ember of his frantic awareness, he was suddenly and profoundly and absurdly aware of his hands, his feet. They seemed to redefine themselves from out of the darkness, without so much as a twitch, but he knew from their size and weight and unfamiliar lengths of finger and thumb, that they were not his hands. Nor were these his feet. Too thin and long, the cumbersome, lifeless feet hung over the mattress, as if his body had outgrown the bed of a child.

Within a sense of his own face, different contours of cheek bone and forehead and small mouth and longer teeth suggested themselves. Long hair curled wiggish across his brow, about his jaw. It stank. Was oily, unwashed, dipped in spoiled water, rank upon the stained and musty pillow that cradled his skull. He couldn’t see it, but knew the pillow case was patterned with continents of aged stains.

He sank further into the darkness, beneath the unfamiliar body that had tremulously held him, like it tried to hold on to smoke within outspread fingers. Sank deeper into the void where the distant chaos of bird calls and the cries of men swirled around, far off but approaching. All attracted to his hapless sinking paralysis, his dropping off and away. And the swirling of this cacophony was driven from the screams of an animal within its heart. Swine bellows and guttural bleats rose from shaky jowls and a large mouth. A black tongue and yellow teeth. Wet, close . . .

And then he woke, and dropped. Fell from the air. But no more than a few inches, on to a bed. Where he bounced and snapped upright in a seizure that electrified his body into a sense of its former shape, its dimensions, its familiarity.

...
 

luka

Well-known member
I'm on pg 111 of Finnegans wake. I'm also reading psychotherapy literature and giving two American poets a chance, Clayton Eshleman and Rosmarie Waldrop. Also going to have a go with Alejandra Pizarnik
 

Mr. Tea

Let's Talk About Ceps
I'm on pg 111 of Finnegans wake. I'm also reading psychotherapy literature and giving two American poets a chance, Clayton Eshleman and Rosmarie Waldrop. Also going to have a go with Alejandra Pizarnik

You lost your phone, I assume?
 
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