grizzleb

Well-known member
I torrented Black Swan and was very enthusiastic about it but in retrospect I wonder if the absurdities outweigh the subtleties too greatly. Then again, I don't think subtlety was what he was going for really, and the OTT effects/camera-work/dialogue works better within the theatrical/absurd world of ballet than in the world of drug-addicts (Requiem for a Dream). I wrote a short blog comparing it to 'The Piano Teacher' (Haneke) http://dirtnap2.tumblr.com/page/4#2886461264
Yeah Black Swan reminded me of lots of stuff, the piano teacher being the most striking. Reminded me of Possession a little bit too.
 

IdleRich

IdleRich
"See High Art. Just see it"
What's that then? Is it this?

Syd meets Lucy, a legendary photographer, who takes her on an unexpected trip of self discovery. Slowly, Syd learns the dark truths of Lucy's life and she is forced to confront the price she has to pay for recognition and the unpredictable rewards of fame.
"time to dust off the Angel Guts box (nudge) set"
I read something about this the other day I think, can you tell me more about it?
 

DannyL

Wild Horses
I see what you mean, but 'everyone knows' bankers, businessmen and politicians (and the clergy, military commanders, English aristocrats, Roman emperors etc. etc.) are fundamentally evil, which is why they're the villains in so many films. They're just obvious bad guys. But in Nuts in May you're invited to see this clearly well-meaning man as a miniature tyrant in his own right, especially in terms of his relationship with his wife/girlfriend, who seems to be childishly naive and docile almost to the point of being retarded.

(On the other hand, he does obviously really care about things - a bit too much for his own good, perhaps - and on the whole, people who care about things are a Good Thing and we need more of them, as long what they care about isn't an obnoxious delusion like racial purity or whatever. People who don't seem to care particarly about anything are a scourge of the age, I think.)

Edit: sure thing Dave, it's not *just* a comedy, but I found a lot of it pretty funny...

Talking of Mike Leigh I watched the beginning of Meantime the other day. (For teaching). And I found it wonderfully understated, amazingly observant and so on...until Gary Oldman's skindhead "Coxsy" enters the screen. Fucking hell, it made me *cringe*... don't know what it is with Leigh and depictions of class.
 

empty mirror

remember the jackalope
I read something about this the other day I think, can you tell me more about it?
eh, a collection of five (or so) japanese "pinku" flicks, not really connected by a narrative, except that they all involve the rape of a woman named "nami" (never the same actress). they each approach the topic from a slightly different angle. thought provoking and perverse in equal measure, chin-stroking at times, and at other times, uh... an exercise in patting one's head and rubbing one's tummy, of sorts, i guess.

sorry i'm a bit vague, it's been a few years. let me free associate a bit, the first one's decidedly guitar wolf in aesthetic, but like, gritty, and kind of weaker than the others. "red porno" is the most memorable. and uh, yeah... stuff.
:cool:
 

baboon2004

Darned cockwombles.
What's that then? Is it this?

That's it, yeah. It's by Lisa Cholodenko, who also made the brilliant Laurel Canyon. It captures the lack of relation between fame/success and happiness, really well, as well as the fucked up nature of 'cool'. The actress who plays Syd (can't recall her name at the moment) is stellar, and Ally Sheedy - complete revelation. Patricia Clarkson delivers a masterclass in comic camp as an German ex-film star who can't quite get over the fact that her Fassbinder days are in the past.

It's brilliant. I torrented it - if you can't get hold of it, let me know and I shall pass it on.
 

bandshell

Grand High Witch
I dunno about unreservedly recommend, but I watched John Boorman's The Emerald Forest on BBC2 last night. Great film, despite the ridiculous ending.
 

stephenk

Well-known member
i'm not an aronofsky fan as is but i thought black swan was way overdone and trying really hard to make a grandiose point from a muddled plot...the camerawork was pretty brilliant though, not going to lie.

i finally saw uncle boonmee who can recall his past lives and i can undeservedly recommend that. dude is like the contemporary tarkovsky, like there are a lot of moments where i was in an actual trance and had to remind myself that i was staring at leaves or whatever.
 

IdleRich

IdleRich
A Matter of Life and Death - ok, even the extras on the disc described it as sentimental and whimsical but it definitely had something. Great idea for a story that has been pretty much reused several times - though maybe they didn't invent it - and the opening sequence and first line is fantastic. I'm sure Douglas Adams nicked the opening line for one of the Hitchhiker's Guide books although I'm not sure which - or maybe it was someone else who borrowed it?


(actual film starts around the two minute mark)
Anyway, probably my favourite Powell and Pressburger film yet.
 

baboon2004

Darned cockwombles.
Mysterious hype is a great phrase!

Loved the film - so sharp on interpersonal psychology. Radha Mitchell (ex of Neighbours) is indeed captivating, and in any reasonable world Patricia Clarkson would have won a best supporting actress oscar.
 

baboon2004

Darned cockwombles.
Ally Sheedy's performance/presence was wonderful too. Just the kind of film I like - interested in the nuances of interpersonal interaction, beautiful chemistry between the lead actors, somewhat muted atmosphere, and an implicit critique of the coldness of, well, many people.

See Two Lovers for another example...
 

mistersloane

heavy heavy monster sound
A Matter of Life and Death - ok, even the extras on the disc described it as sentimental and whimsical but it definitely had something. Great idea for a story that has been pretty much reused several times - though maybe they didn't invent it - and the opening sequence and first line is fantastic. I'm sure Douglas Adams nicked the opening line for one of the Hitchhiker's Guide books although I'm not sure which - or maybe it was someone else who borrowed it?

Anyway, probably my favourite Powell and Pressburger film yet.

I thought there was something wrong with me the first time I saw that, the opening sequence reduced me to a blubbering wreck, and I thought it was just that I was sensitive at the time. Saw it again a couple of weeks ago and it did exactly the same thing, it just slays me and reduces me to a foetal ball of tears. Kind've amazing, it's almost Pavlovian.
 

IdleRich

IdleRich
Which bit - the universe thing or the bit where he's on the radio and thinks he's gonna die? Both pretty powerful in their own way I think.
 

nochexxx

harco pronting
don't wish to lower the tone on this beautiful thread but i must confess i enjoyed Christian Bale's trademark nutty method acting performance in The Fighter. shame Mark Wahlberg was in it though.
 

craner

Beast of Burden
A Matter of Life and Death - ok, even the extras on the disc described it as sentimental and whimsical but it definitely had something. Great

Super film -- the sheer demented invention of the thing pulls it through; minus the massive chutzpah and technical virtuosity, it would be an embarrassment. I've really been meaning to watch The Red Shoes, but it's about ballet, which puts me off (stupidly, I realise).

I watched Indiscreet yesterday, Stanley Donan's 1958 Cary Grant and Ingrid Bergman vehicle. Now call me sentimental and whimsical, but that was a rather lovely confection -- certainly a nice contrast to Notorious.
 
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