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Thread: films you've seen recently and would NOT recommend

  1. #781
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    Quote Originally Posted by DLaurent View Post
    The other russians I mean Luposhansky, Aleksei German. I can stomach them as they're atmospheric and slow. Seen others I'm less keen on, festival type films, so not a great criticism of Sokurov. It says on wiki he was deeply influenced by Zerkalo. The other guy that worked with Tarkovsky, Konchalovsky, he took some of that atmosphere with him even when he went to Hollywood. Something in the Soviet water.
    When I saw Hard To Be A God I thought it was mind blowing, like nothing else... then I saw German's previous film which is very similar in terms of technique and style. It's weird but that sort of diminished both slightly in my mind, perhaps unfairly, made them less unique anyway.
    Mirror is one of my all time favourites.
    Lopushansky is great yeah, he kinda hammers away at his post-apocalyptic theme but with enough to keep it interesting each time.
    I'm also thinking Paradjanov and Ilyenko, not really Russian but surely related.

  2. #782
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    I should see Hard to be a God. Trial on the Road and My Friend Ivan Lapshin are the German's I've seen and remember more than anything the sublime (Marketa Lazorova like) black and white photography.

    Artawazd Pelashian, apparently a friend of Parajanov is another one of those Armenian poets of cinema.

  3. #783
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    Quote Originally Posted by DLaurent View Post
    I should see Hard to be a God. Trial on the Road and My Friend Ivan Lapshin are the German's I've seen and remember more than anything the sublime (Marketa Lazorova like) black and white photography.

    Artawazd Pelashian, apparently a friend of Parajanov is another one of those Armenian poets of cinema.
    You HAVE to see HTBAG - it's an incredible cinematic experience. Really visceral and involving. You can virtually feel all the filth and blood. The camera flies around like crazy, very few cuts... it's intense for want of a better word.
    Never seen the first adaptation of the book starring W Herzog though...

  4. #784
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    I dunno Pelashian though cheers, will try and check out.

  5. #785
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    Peleshian doesn't really have any epics, mostly short silent essay type films, but there's something that keeps me going back to himo. Or at least open my eyes a bit when I do watch stuff from him. Only really similar to Parajanov from country and being poetic.

    Now this is really crap. Hideaway 1995 a techno thriller with Jeff Goldblum based on a Koontz story I haven't read but at least it had loon bird samples over the titles and a Godflesh cameo.

  6. #786
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    Quote Originally Posted by DLaurent View Post
    Peleshian doesn't really have any epics, mostly short silent essay type films, but there's something that keeps me going back to himo. Or at least open my eyes a bit when I do watch stuff from him. Only really similar to Parajanov from country and being poetic.

    Now this is really crap. Hideaway 1995 a techno thriller with Jeff Goldblum based on a Koontz story I haven't read but at least it had loon bird samples over the titles and a Godflesh cameo.
    Thank fuck for that!
    Yeah I read about Peleshian now, would love to know of anyone else who actually does magical feature length film poems like those of Paradjanov, the only one I can think of is Ilyenko who was his cinematographer. Allegedly Ilyenko was part of some kind of Ukrainian movement of like-minded souls but buggered if I know anything about the other guys who were part of it or what films they did.


  7. #787
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    Never really seen any Ukranian stuff let alone Ilyenko. Can't think of anything like Parajanov though. He's kind of singular.

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