In 1946, Bardin entered a period of intense creativity during which he wrote three
crime novels that were relatively unsuccessful at first, one of them not even being published in America until the late 1960s, but which have since become well-regarded cult novels.[
citation needed] He went on to write four more novels under the
pen names Gregory Tree or
Douglas Ashe; the writer
Julian Symons, in his introduction to an omnibus collection of Bardin's first three works, called those later novels "slick, readable, unadventurous crime stories". Under his own name, Bardin also wrote three more novels, the first two of which Symons called, respectively, "an interesting but unsuccessful experiment" and "disastrously sentimental".
[3]
His best-regarded works,
The Deadly Percheron,
The Last of Philip Banter and
Devil Take the Blue-Tail Fly experienced renewed interest in the 1970s when they were discovered by British readers. As Symons said of their reemergence:
Denis Healey was the guest of honour at a Crime Writers' Association dinner a few years ago, one of those years when he was no more than a shadow Minister, and so had time for criminal frivolity. In the course of his speech Mr. Healey showed a considerable, almost a dazzling, knowledge of crime fiction. It was an impressive performance, one nearly too much for some of the audience. People who write crime stories are often not great readers of them, feeling perhaps that anything they read will be inferior to what they have written. And when, near the end of his
peroration, Mr. Healey picked out for special praise the crime novels of John Franklin Bardin, they looked at each other in astonishment. Who was John Franklin Bardin? One is safe in saying than no more than a dozen of the hundred and fifty people at dinner than night had ever heard of him.
[3]
Symons, who compiled the omnibus, had difficulty tracking down information on Bardin. He was unable to find any American critic who had heard of him and even his original publishers and agents did not know how to contact him or even whether he was still alive. Symons wrote that
Third Degree, the journal of
Mystery Writers of America, found Bardin in
Chicago, editing an
American Bar Association magazine, and willing and eager to see his work republished.
The Deadly Percheron tells the story of a psychiatrist who encounters a patient with apparent delusions and a strange story to tell, but who does not otherwise exhibit signs of mental instability. His story turns out to have at least some connection to reality, drawing the psychiatrist into a complicated alternate identity that changes his life.
The Last of Philip Banter sees a man receiving (or apparently writing) disturbing predictions about his life. The predictions partly become true, the effect of the predictions themselves being destructive and mind-altering.
Devil Take the Blue-Tail Fly, perhaps his most acclaimed work,[
citation needed] is a complicated story told almost entirely in terms of the psychology of the protagonist Ellen, a mental patient who experiences mental disintegration.
Bardin gave his literary influences as
Graham Greene,
Henry Green and
Henry James.