Oi!

martin

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A vital size 10 steelie to the soft bollocks of the academically-dominated, NME-reading, herbal tea-quaffing hippified social workers and thought police of the booge-wah, traces of which can be observed right through to Grime

OR

A load of old shit knocked out by ugly nationalistic insecure young boys who'd read too much Steven Berkoff and had nothing better to sing about than punching anyone with hair longer than an inch, vomiting in the kebab shop and catching the clap from their gluesniffing mate's old slapper of a mum?
 

john eden

male pale and stale
Well (a) obviously, with a bit of (b) thrown in for good measure as a konscious strategy to avoid recuperation by the Akademie.

Any recommendations, Martin - I was listening The Oppressed last night, but think they are johnny come latelies.

I also listened to "Sex & Violence" by the Exploited. :)
 

martin

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john eden said:
Any recommendations, Martin -


To be honest, I find a lot of it quite funny, especially the more over the top stuff. It was also a great contrast to the self-pity and lethargy of the grunge scene, back in the day. I can't be arsed with it now (though it is good during rush hour) But these ones are OK

1) V/A - United Skins ('81 Rock A Rama, reissued on CD by Pure Impact)
There's a great band on this called TDA, who do a BLISTERING noisy yob-punk self-titled track about pulling a bird in a stolen motor and crashing into everything that moves. "TDA! TDA! / STANDS FOR TAKIN AND DRIVIN AWAY / I SAID TDA! TDA! / FUCKALLELSE TO DO ANYWAY!". There's also two Skrewdriver tracks which don't feature racist lyrics (for some reason on the repress the band name's replaced by "Freedom of Speech?" so it was probably put together by some paranoid right-winger who thinks the Zionists are out to get him). There's a band called Sedated who sing "Smash your tables, break your chairs / Kick your furniture down the stairs" and the obligatory "my best mate got banged up by the filth" song, "Take Him Away". There's also a hilarious poem about football violence by some Scouse bloke which was probably intended to be well 'street', but actually comes across like a homo-erotic Pam Ayres, with some ludicrous pseudo-religious bits at the end.

2) LAST RESORT / COMBAT 84 - Death or Glory

Last Resort = sounds like it was recorded on half-track, but probably the most stereotypical example of what an Oi! band was meant to be. Puerile as fuck, but check out the lyrics - "Wake up in the morning / Have me Ready Brek / drink me cup of Bovril / Wring me mother's neck / Go out into town / beat a soul boy black and blue / Put fruit gum in the meter / Cos there's fuckallelse to do" (recurring theme here) and "Smashing everything up in sight / Making old ladies die with fright". Combat 84's "Right to Choose" is an enjoyable enough anti-CND song, with the killer line, "Bigger and better bombs!" In a sort of Exploited vein, but pro-Tory and even more stupid.

3) MENACE - GLC RIP
I don't know whether this'd be considered more 'punk', but apparently the first Oi! band. "GLC" is brilliant, like more hard-edged '77 style stuff.

4) JAPANESE OI!
Weird hybrid, a million miles from Garry Bushell's vision of Oi! As most Japanese people don't go in for punching each others' lights out at second division (sorry, League 2) football matches, their Oi! is a lot more like distorted pop punk but with "Oi!" shouted as many times as possible. Bands to check - Ghoul, Laughin' Nose, Cobra, Angry Ducks, Sa.

5) SOCCER HOOLIES - We are the Soccer Hoolies

Tape-only release that came out in the early 90s. Sick bastards really - I've lost my copy, but they did a cover of Bananarama's "Robert de Niro..." re-titled "Liverpool Fans in Belgium Killing Italians"

6) THE OPPRESSED - Oi! Oi! Music

Maybe Johnny come latelys, but still a top record. Especially like the contrast between Welsh bloke trying to sound Cockney / brickwall rough guitar / Miami Sound Machine drum loops
 

john eden

male pale and stale
Nice one. Maybe we should do an Oi vs Apostles swap or something?

Do you think we're on our own on this thread then? :D

I'll start the Sham 69 one sometime next week...
 

martin

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john eden said:
Nice one. Maybe we should do an Oi vs Apostles swap or something?

Do you think we're on our own on this thread then? :D

I'll start the Sham 69 one sometime next week...

Yeah, definitely! Really enjoyed the Apostles post today, esp. as there's not much info about them on the Net. The 'United Skins' one really is a hoot.
 

francesco

Minerva Estassi
martin said:
5) SOCCER HOOLIES - We are the Soccer Hoolies

Tape-only release that came out in the early 90s. Sick bastards really - I've lost my copy, but they did a cover of Bananarama's "Robert de Niro..." re-titled "Liverpool Fans in Belgium Killing Italians"


:mad: :mad: :mad: :mad:
 

francesco

Minerva Estassi
Once in about 1990 Skrewdriver come to play in Catania, Sicily, and there was a fight outside the concert beetween the Rightist Young Fascist (Fronte della Gioventù) who organized the concert and the Hardcore Punk (who were half anarchic and half leftist) comunity and some other leftist young people (ahem... I was there... ah youth!).

I know very small of Oi. I think i would like to listen the songs and band that were on the verge beetween first original punk and Oi. When happened the distintion? 1978? '79? Are Exploited Oi? I like "punk's not dead. Sham '69 were Oi'? What were other than those the most famous band? Was Oi a Right Wing movement in UK or was only here perceived like that? (Well, in 1977/78 Punks were thinked as fascist by italian leftist Movimento, and little Punks were beaten the crap ut for this and for not listening to Prog or Marley... ten year after was Harcore Punk the extreme leftist music of choice with the exception of Oi, seen as The Enemy... (is more complex than this but nevermind)).
 

martin

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I don't know that much about the origins of Oi! - I was only 5 in '81 and far more interested in Adam & the Ants and Bow Wow Wow at the time. It's right wing elements were more a reaction to trendy lefty teachers or corrupt London councillors who came from very rich families but ponsed about in CND badges and dressed like tramps - but I guess some of them really dug the eagle and swastika patches and went on to join the NF. There's no real Oi! scene in England anymore, most skins you'll see are on their way to G-A-Y at the Astoria. HArd to say the best bands, as I only really went for the completely mindless stuff like Last Resort, the 4-Skins, and even some of the nazi ones like Skrewdriver, The Dentists, etc. But that was mostly because they wound up SWP students no end at the time

Mind you, when I was in Genova 4 years ago, all I saw was skin and mod graffitti, everywhere. There's a small CD shop on Piazza Fontaine Marose (sp?) that sells Oi! and 2-Tone, and there was a really foxy Italian scootergirl who worked there and supported Sampdoria. She likes Klasse Kriminale and will probably be impressed if you namedrop someone really obscure like Skin Deep (assuming she still works there).
 
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john eden

male pale and stale
francesco said:
Once in about 1990 Skrewdriver come to play in Catania, Sicily, and there was a fight outside the concert beetween the Rightist Young Fascist (Fronte della Gioventù) who organized the concert and the Hardcore Punk (who were half anarchic and half leftist) comunity and some other leftist young people (ahem... I was there... ah youth!).

Good! I've been in some similar situations over here... scary but necessary work...

francesco said:
I know very small of Oi. I think i would like to listen the songs and band that were on the verge beetween first original punk and Oi. When happened the distintion? 1978? '79? Are Exploited Oi? I like "punk's not dead. Sham '69 were Oi'? What were other than those the most famous band? Was Oi a Right Wing movement in UK or was only here perceived like that? (Well, in 1977/78 Punks were thinked as fascist by italian leftist Movimento, and little Punks were beaten the crap ut for this and for not listening to Prog or Marley... ten year after was Harcore Punk the extreme leftist music of choice with the exception of Oi, seen as The Enemy... (is more complex than this but nevermind)).

I think Oi is a real mongrel genre, ironically enough. In some ways it was entirely manufactured by music journalist Garry Bushell (who at that time reckoned he was a socialist and contributed articles to the Anti-Nazi League's newspaper, but went on to be a typical right wing tabloid journalist). Essentially he picked up on the fact that there were some bands around who were adopting a conciously working class rhetoric as a reaction (as Martin says) to the right-on ness and artiness and perceived middle class values of punk in the late 70s and early 80s.

Of course Oi bands were total charicatures of "white working class culture" in that all the songs were about getting pissed down the pub, fighting at football, etc. But this was, I would argue, part of the humour behind it.

The relationship between Oi and the far right is complicated (and again, I was about 11 when all this was going on - tho there were a load of skins at my school, around town, etc). Some of the groups expressed a bit of nationalistic pride (which relates to football, and also to pissing off 'lefties') tho many of them were more socialist.

This tendency was seized upon by the National Front who tried to "organise" the movement in exactly the same way that trotskyist groups tend to do for the left. This lead to a lot of bands getting more right wing, or perhaps in the case of Skredriver, finding someone who would let them openly vent their nazi rhetoric.

Stewart Home (in his book "Cranked Up Really High") reckons this was actually a break with Oi - that the bonehead bands were actually a different genre - he cites the fact that many of them went on to make dire heavy metal stuff as a symptom of this.

Many of the bands remained "non-political" (which confusingly could just mean that they were actually nazis but didn't have the courage to come out with it openly - or just were too business-savvy) or explicitly socialist / anti- racist. There was all sorts of dodgy 'turf war' stuff going on when the money started rolling in.

I think Sham 69 and The Exploited now get referred to as "Street Punk" because they weren't explicity Oi/Skinhead but had some common ground.

Some links:

The Oppressed

Garry Bushell - Oi: The Truth
 

martin

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john eden said:
Stewart Home (in his book "Cranked Up Really High") reckons this was actually a break with Oi - that the bonehead bands were actually a different genre - he cites the fact that many of them went on to make dire heavy metal stuff as a symptom of this.

Many of the bands remained "non-political" (which confusingly could just mean that they were actually nazis but didn't have the courage to come out with it openly - or just were too business-savvy) or explicitly socialist / anti- racist. There was all sorts of dodgy 'turf war' stuff going on when the money started rolling in.

Paul Burnley from No Remorse turned on both Oi! and skinhead culture, claiming that "Oi's for Reds" and bemoaning the amount of 'queers' and old school skins 'listening to nigger music'. In Joe Pearce's sad Skrewdriver biog, he claims that Ian Stuart was frustrated at being ranked alongside the likes of Blitz and Infa Riot, and saw himself as a professional musician who had more in common with Deep Purple and Black Sabbath.

Skrewdriver records were such an ideological mess, it's hard to understand what the hell was going through Stuart's head. Track 1 - song about how violence and fighting is great and how all white people should be warriors. Track 2 - our OAPs can't walk the streets because of violent gangs. Track 3 - remember those who died fighting for Britain in WW2. Track 4 - Bring back the glory, oh Deutschland (ad nauseam)

We can all laugh about it, but at the end of the day these groups are all about harrassment and rightly should be smashed. I can't think of many left-wing Oi! groups except The Oppressed, who used the slogan "This one's for all the skins with the bottle to speak up against the fascist scum - nice one lads", or Oi Polloi (who quickly mutated into an anarcho-thrash band). Bands like Close Shave and Condemned 84 claimed to be apolitical, but the amount of shit they spouted about homosexuals and commie scum seems to point to one conclusion. Their records are pants.
 

Grievous Angel

Beast of Burden
{shakes head more in sorrow than in anger}

The oi stuff John is championing right now is just awful to listen to now and was torturous even then.

He's only going on about it to wind people up. Particularly me.

Last time I was round he was listening to this abominable Oi album and was splitting his sides -- apparently his new year's resolution is to listen to more music which isn't reggae, but this just isn't -- music that is.

I suggest that we all ignore this so he can find something less irritating to wave in our faces.
 

john eden

male pale and stale
2stepfan said:
{shakes head more in sorrow than in anger}

The oi stuff John is championing right now is just awful to listen to now and was torturous even then.

He's only going on about it to wind people up. Particularly me.

Last time I was round he was listening to this abominable Oi album and was splitting his sides -- apparently his new year's resolution is to listen to more music which isn't reggae, but this just isn't -- music that is.

I suggest that we all ignore this so he can find something less irritating to wave in our faces.

That wasn't an Oi album, fool! :rolleyes:

It was US hardcore... a preview of part 3 in the uncarved "punk comics" series... the reason why I was laughing will become all too apparent soon as well ;)

You can't fault the Blaggers ITA and Sham 69, tho!

"ooooooh, it's not even music, it's just NOISE!" LOL! :D

Having said that, I won't be listening to some of the Apostles stuff again in a hurry. Some absolute classics, some atrocities. Que sera sera!
 

martin

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I've just discovered - there's a band in the US called Jewdriver, who do Skrewdriver cover versions but with lyrics about bar mitzvahs and bagels! £5 to the first person to track down a CD-R!
 

john eden

male pale and stale
I just found them too!

jewdriver.com for mp3s.

Sounds shite.

Great tracktitles though: "All Hail the Jew Dawn" and the "Boots & Bagels" EP.
 

martin

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I'll give it a listen later - don't think it'll go down too well here at work. Incidentally, I'm forming a maritime Whitehouse tribute band. We'll be called Lighthouse, and we'll be doing covers like "Shipfun", "My Loch's on Fire" and "I'm Coming Up Your Aft" (Ok, I'm fucking off now)
 

Grievous Angel

Beast of Burden
john eden said:
That wasn't an Oi album, fool! :rolleyes:

Talk to the hand. Like anyone cares if it's oi or doomcore...

You can't fault the Blaggers ITA and Sham 69, tho!
Experience would lead me to venture to suggest that anyone with ears could in fact find some fault with both, though on the spectrum of shitness that it Oi, they're at the "beyond the pale" end, rather than the "instant social suicide" end you're currently playing in.

"ooooooh, it's not even music, it's just NOISE!" LOL! :D
My Miles Davis collection fears not for displacement by any of these bands, it's true. Nor do my Stay Up Forever 12s.

If you think I'm "listening" to this stuff on Wednesday night during book group you've got another thing coming. I'd rather go to one of your "party" meetings (and why the fuck they're called party meetings when there's no canapes or dry white wine I'll never know).


Some absolute classics, some atrocities. Que sera sera!
I do hope you're referring to Sly Stone. Really.
 

john eden

male pale and stale
Pff! Too much sophistication can be a bad thing, you know?

Plus I can't help but feel that there is a shedload of inverted snobbery about this music, as Martin implied earlier in the thread about the relationship with grime etc. So I dunno, maybe I can be accused of inverted inverted snobbery or something, but I do genuinely and without irony love the Blaggers and Sham!

I also listened to a load* of guitar drone stuff from the late 80s and early 90s. Will have to write somethingn about that as well.

Wednesday we go down the pub, n'est pas?

*well - a bit, 3 records or something!
 
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