Modern d'n'b is rubbish - tune ID and a moan from an old man

DJ PIMP

Well-known member
I like Current Value's mosh-pit style drums... lots of switch-ups alternating between battering and pummeling. Tracks like Indivisible Force or Strange Peace. Brootl.
 

DJ PIMP

Well-known member
Was Technical Itch the first to do this kind of thing?
Yeah I guess. 97/98... Tech Itch, Panacea, the No U-Turn tracks like Droid to some extent.

Haven't kept up with dnb much at all really, but came across some CV tracks and thought crikey, just when you figured it couldn't get any harder. I like CV moreso than the other bits I've heard in this vein from Gein, Spor, Evol Intent, Limewax... though I haven't done a lot of digging.
 

Slothrop

Tight but Polite
i've been enjoying the stuff on darkestral label lately, their releases have been great.

http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=58789494


also lightless and bassbin sometimes

http://profile.myspace.com/index.cfm?fuseaction=user.viewprofile&friendid=85471016
All good stuff.

More grist for the "it's quite good but I can't really be arsed because it's not as exciting as bulgarian ragga-trance is right now" mill: esb's Martsman special on Detuned Radio

esb on Subvert Central said:
seeing as many do not check the detuned thread i thought i'd spam this...

respect to martsman for allowing me to do this.

Detuned does Martsman

martsman spotlight edition

01 - martsman - bluetone - warm communications forthcoming
02 - martsman - road (sileni remix) - exegene
03 - cycom - kingsnake - (martsman remix) - cdr
04 - martsman - halow - med school forthcoming
05 - martsman - the hack - cdr
06 - martsman - step up (berlin) - hotshore
07 - martsman - untitled - cdr
08 - martsman - worst case scenerio - hospital forthcoming
09 - martsman - 8 bit bouncer - cdr
10 - martsman - ago - offshore/commercial suicice
11 - bad matter & martsman - cold love v2 - cdr
12 - martsman - jumpfunk - alphacut
13 - martsman - kontamin - trust in music
14 - angel zero - recess (martsman remix) - warm communications forthcoming
15 - sileni - twitchy droid leg (martsman remix) - offshore
16 - martsman - aeiro vip - breakin'
17 - martsman - antifunk - counter intelligence
18 - martsman - klikoucha - offshore forthcoming
19 - macc - boomer (martsman remix) - cdr
20 - hi-lar - sunstate (martsman remix) - plain:audio
21 - martsman - assemblyp - cdr

...with no-tax ambient interludes
 

padraig (u.s.)

a monkey that will go ape

DJ PIMP

Well-known member
I like a few LE tracks (the original of My Dreams), but I'm not into that live band thing at all... yikes.
 
That quote that said "I want D&B to be like techno, where you're allowed to innovate", seemed a real bum note. I would always have said its one of the more formulaic genres, though not as limited as trance
 

Tanadan

likes things
respect to the drummer but in all honesty other than that, eh. oh look we've got live musicians! interesting choice of words there too "more than just a jungle resample". yeh sure modern breakbeat jazz or whatever:rolleyes:

Sorry - I like the video, and I like the live band thing, but its a different thing from the records he puts out, and that was what I meant - if you click the play button on the right-hand side of the last.fm screen you can listen to the original version of the track itself. The live band thing is obviously in a different category to DJs playing records, you can't compare them that easily. As far 'jungle resample', what I was getting at was records made today, or recently, that use exactly the same samples and sounds that jungle records did - breakbeats, clips of (ragga) guys talking, pads, atmospherics, percussive basslines - and in mainly the same way, rather than casting a wider net in terms of samples - a la the above London Elektricity tune - or reinventing the basic grooves they're used in - eg dubstep - or just doing something completely different - eg. I Luv U.

Having written that, I can't quite see what I Luv U has to do with the other two - modern dnb and dubstep; perhaps I'm blinded by the hardcore continuum theory. I can't even quite see how I Luv U is predicated on garage, although I can in turn see the relations between garage and jungle.

Might it be fair to say that the dubstep aesthetic is a combination of two seperate strands: on the one hand, jungle 'ideas' and sonic tropes, like rasta guys talking, complex beats, atmospherics, etc, and on the other, grime production methodology, ie. synths not samples, hits not breakbeats? I think the answer is no, actually, something like that probably obscures other important influences on dubstep (reggae, techno, garage). Perhaps a more useful thing to note would be the gradual replacement of samples and breakbeats with produced sounds - synths, basically - in all these musics, from sampledelic early jungle to sampled-stuff-but-buzzy-synth-basslines-or-eerie-pads of later jungle to the marimba basslines and fake pizzicato strings of garage to the Cubase-synths + live rapper of grime to the mainly synthesised melodies, atmospherics, and basslines of dubstep to the almost entirely synthesised chords, basslines, even drums of the wonky stuff (by this I mean the Joker/Ikonika side - the UK side - not the FlyLo/HudMo US-influenced axis). Anybody buy this?
 
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