Reynolds' Pazz & Jopp essay

tate

Brown Sugar
i suppose he's talking about the way indie rock has crossed over and basically become "pop", then?

i think this happened a while ago in the U.S. i think indie that's ranking high on the billboard pop charts is a lot like what mall-punk was about 10 years ago here.
Out of curiosity, what "indie" is on the US Billboard Pop charts now, or earlier this year ? I don't know and I'm genuinely curious.
 
N

nomadologist

Guest
The rockism is in the three scenes he discusses - fierce loyalty, anti-commercialism, authenticity etc. Preceding this rockism was/is the overt commercialism of uk garage, r&b and Killers/White Stripes et al indie-schmindie of the 00s? And the general hipster mix'n'match you refer to, of liking a bit of Timbaland, post-rock, Girls Aloud, crunk, folk... (po-mo in a word, or two).

But here's where I don't quite get it. I think your average American has always liked a mix of what's on the radio, with most people preferring rock in a "rockist" way. It's only the hipster demographic that these trends apply to in the first place. So I guess he's talking about shifts in what hipsters like?
 
N

nomadologist

Guest
Out of curiosity, what "indie" is on the US Billboard Pop charts now, or earlier this year ? I don't know and I'm genuinely curious.

the Shins, Regina Spektor, Of Montreal, Grizzly Bear, I think all of those charted, right? I'm trying to look up exact figures
 

gek-opel

entered apprentice
Well, that's my point. It's un-indieness is appealing to those hoping to appear to be going against the grain.

Try and distinguish between yourself and everybody else Swears! Not everything in the world exists as an interrelation to indie.
 

gek-opel

entered apprentice
The rockism is in the three scenes he discusses - fierce loyalty, anti-commercialism, authenticity etc. Preceding this rockism was/is the overt commercialism of uk garage, r&b and Killers/White Stripes et al indie-schmindie of the 00s? And the general hipster mix'n'match you refer to, of liking a bit of Timbaland, post-rock, Girls Aloud, crunk, folk... (po-mo in a word, or two).

Yes, but most people (Hipsters, whatever) continue to consume in this way, there is a confusion with Reynolds' between the INTERNAL rockist consistency and obsession of those inside these scenes and the EXTERNAL promiscuity of those consuming (or if not full-on fashion led promiscuity in the classic hipster mode then a detached non-scene member vampirically absorbing from a distance, perhaps with great interest but never of the situation per se...) The people who label Sunn 0))) and Boris etc as "hipster metal" are those inside-- attempting to preserve the cultural purity of their scene from outsiders who like the MUSIC but not so much the trappings...
 
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noel emits

a wonderful wooden reason
Isn't that the definition of a hipster, someone trying to look cool?

You're probably right unfortunately.

I thought it used to mean someone who was actively engaged with creating and thinking about culture. Is that something else?
 

gek-opel

entered apprentice
I think "Hipster" conflates several separate models of consumption, and involves more than mere hyper-consumption
 

Guybrush

Dittohead
hipster=hyperconsumer

We have had this argument before, and I still don’t like that definition. Your 18-35 in-the-know demographic I would rather define as ‘hip’, leaving ‘hipster’ to denote a certain sub-culture (or, perhaps, a mode of being).
 

noel emits

a wonderful wooden reason
Noise, Dubstep and Metal. They are all great musics to accompany the hyperconsumption of drink and drugs. But in a kind of harsh way. Not too escapist. Not austere, still hedonic, but with a cynical, wizened edge. This ain't the 90s no more. But people still want to get off on one.
 

dHarry

Well-known member
hipster=hyperconsumer
but everyone is a hyperconsumer now

noel emits said:
swears said:
Isn't that the definition of a hipster, someone trying to look cool?

You're probably right unfortunately.

I thought it used to mean someone who was actively engaged with creating and thinking about culture. Is that something else?
isn't it someone trying to be cool, or are there two flavours, the fashion-victim and the trend-setter/follower (i.e. most of Dissensus? ;) )
 

swears

preppy-kei
Try and distinguish between yourself and everybody else Swears! Not everything in the world exists as an interrelation to indie.

Wasn't american indie like Beck, Pavement, etc the hipsters music of choice during the 90s? Whereas now everybody else has sort of caught up, it's no longer marginal music. You could say the same of hip hop or 80s revivalism. It's too mainstream to be hip now. That was my point.
 

gek-opel

entered apprentice
I don't think any of them are hedonic in the slightest really, beyond a kind of numbing narcosis of physical musical affect. Wonder why Reynolds' ignores minimal techno, surely that's as loved if not more so than these three genres amongst these people? Except it kind of destroys his thesis perhaps?
 

gek-opel

entered apprentice
Wasn't american indie like Beck, Pavement, etc the hipsters music of choice during the 90s? Whereas now everybody else has sort of caught up, it's no longer marginal music. You could say the same of hip hop or 80s revivalism. It's too mainstream to be hip now. That was my point.

I thought it was all tortoise-esque post rock and sonic youth?
 

Guybrush

Dittohead
I don't think any of them are hedonic in the slightest really, beyond a kind of numbing narcosis of physical musical affect. Wonder why Reynolds' ignores minimal techno, surely that's as loved if not more so than these three genres amongst these people? Except it kind of destroys his thesis perhaps?

In what way?
 
N

nomadologist

Guest
but everyone is a hyperconsumer now


isn't it someone trying to be cool, or are there two flavours, the fashion-victim and the trend-setter/follower (i.e. most of Dissensus? ;) )

i should qualify that by saying early adapter. everyone's a consumer but early adapters are considered the most important in the "biz" sector
 

gek-opel

entered apprentice
but everyone is a hyperconsumer now


isn't it someone trying to be cool, or are there two flavours, the fashion-victim and the trend-setter/follower (i.e. most of Dissensus? ;) )

There are elements of both though- one is about seeming, appearances, the other far less so, or perhaps merely in a different sense (depending on how charitable one would want to be..) But for the former category surely just having a death-metal t-shirt would suffice?
 

tate

Brown Sugar
Then there's the Decembrists...

http://www.mlscmusic.com/new_releases/BILLBOARD 2006 web.pdf

This is one of the few things I'm finding...
Thank you for the link, but I don't see any of the bands whom you mentioned in those charts, nor in the current Billboard Modern Rock charts, nor in the Hot 100, nor anywhere else (I may be wrong!).

Though by no means am I pretending to be an expert here, I have the impression that in the US "indie" rock of the Of Montreal/Grizzly Bear variety simply does not sell anywhere near the levels that hip-hop, r&b, modern country, and corporate emo/'modern' rock of the fallout boy/my chemical romance variety sells. Am I wrong?
 
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