CITY POP (70s-80s Japanese Pop)

william_kent

Well-known member
LOL, a baile funk revival? nu-baile?

the "real heads" know it as funk carioca :) ...it never went away in Brazil - and there has been an "evolution" in the sound since the 2000s with derivatives from Sao Paolo, so now there are subgenres like funk ostentação ( praising conspicuous consumption ), raggafunk, funk 150 bpm, and rave funk which join the older styles celebrating drug cartels and the joy of anal sex.. but I can't see the city pop crowd enjoying any of these

Rave Funk:


DJ GBR - Rave Pump It

Funk 150 bpm:


MC TIKÃO - SENTA NO 150

Raggafunk:


MC WM - Fuleragem
 
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forclosure

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@william_kent i mean its far more upbeat than the average "city pop" song for one but its also alot messier sounding

i mean look as long as i don't have to see people be like "yknow Mussolini's granddaughter made a city pop song and turns out...its not that bad" like their trying to defend Skrewdriver's first album, i'll be alright
 

wild greens

Well-known member
There is the "ambiente" end of baile funk i.e. the minas gerais scene thats a bit more spacey and palatable

There was a lot of baile getting played in South a few years back, hundreds of free tracks on producer soundclouds which helps yr DJs a lot
 

william_kent

Well-known member
@william_kent i mean its far more upbeat than the average "city pop" song for one but its also alot messier sounding

i mean look as long as i don't have to see people be like "yknow Mussolini's granddaughter made a city pop song and turns out...its not that bad" like their trying to defend Skrewdriver's first album, i'll be alright

I associate city pop with "sophistication" and over produced MOR, while funk carioca has always seemed to be a bit more cheap samplers and low bitrate to me
 

forclosure

Well-known member
I associate city pop with "sophistication" and over produced MOR, while funk carioca has always seemed to be a bit more cheap samplers and low bitrate to me
i agree keep it a buck i've often felt some of the stuff in city pop that gets propped up if it wasn't made in Japan and tied to Vaporwave's fascination/fetishisation of 80's Japan people wouldn't care
 

forclosure

Well-known member
one thing that has been said many times, by me and others, is that the last human future we had was japanese. now the future is china, saudi, dubai... slave labour. survelliance, authoritarianism etc well grim
see i disagree with this cause a large reason why Japan had the prosperity it had was built of the back of them running large parts of south east asia ragged, Thailand, the Philippines,Manchuria so it's not so cut and dry as it being "human"

It might seem human to Westerners cause back in the 80s Japan was seen as legit threat cause of the advances in tech they were making at the time(equal parts fascination and really old yellow peril bullshit) but lets not forget aswell as the early 90s economic crash Aum Shinrikyo played a large part in killing this optimism stone dead
 

forclosure

Well-known member
One of the first things I ever wrote as an adult that wasn't for school, I don't stand by a lot of it and especially not the prose, but it happened. Wrote a buncha stuff like this in 2013/14 I've talked about this before on the board. Getting to youth culture in the big city in New York City getting to liberal arts school, after growing up in a smallish town, you expect to board the Mothership, here it is, exciting cultural things, I can integrate into the stream of the New, the avant, artistic innovation, and everyone's playing 70s throwback guitar music. Incredibly disillusioning. Took years of processing
i feel like alot of people who moved to London as a way of escaping their provincial town english suburban lives have this same kind of shock, they think they can hide it under getting into a new subculture and switching up their fashion but problem is all their old friends had the exact same idea and followed suit.

so they're all stuck in this strange limbo and for somebody like me whose lived in the city all his life you can just see right through them and they reek of that anxiety.

but then also they're the same ones to turn around and look at people who move to London afterwards and complain about gentrifiers not thinking about their roles in all of it
 
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william_kent

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I don't think this book has been mentioned - one for the collectors

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"Obscure City Pop Disc Guide" covers 512 disc reviews of hard-core and obscure Japanese city pop and its related music released 'on CD' from 1986 to 2006. No Tatsuro Yamashita, Taeko O'onuki or other Japanese city pop superstars.

Edited and written by lightmellowbu

Japanese, 272 pages, full-color, paper back (15 x 21cm), with obi
ISBN: 9784866471136
Publisher: DU BOOKS (Japan)
Date of publication: January, 2020

It was available from EM records on bandcamp but is now sold out - I don't have a copy ( not interested in the genre ) but might be of interest to some...
 

forclosure

Well-known member
also i dunno about you @suspended but i feel like the one thing that unites small town people moving to big cities across the Atlantic is thought that "no matter how bad things get i will never ever move back to my hometown"
 
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snav

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I don't think this book has been mentioned - one for the collectors
...

It was available from EM records on bandcamp but is now sold out - I don't have a copy ( not interested in the genre ) but might be of interest to some...
god i wish i had a copy of this

i agree keep it a buck i've often felt some of the stuff in city pop that gets propped up if it wasn't made in Japan and tied to Vaporwave's fascination/fetishisation of 80's Japan people wouldn't care
definitely agree. problem is that there's also plenty of stuff where i literally cannot find western equivalents that are any good, like mid-80s Hiroshi Sato. Find me something that sounds like this, I look forward to it:
I associate city pop with "sophistication" and over produced MOR, while funk carioca has always seemed to be a bit more cheap samplers and low bitrate to me
this is also what happened when City Pop morphed into Shibuya Kei in the early 90s. the hi-fi vs lo-fi pendulum keeps on swingin
 
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