the nuum back lash

viktorvaughn

Well-known member
Yeah but I think what Viktorvaughn was trying to say was that 'nuum music pre-proto-grime had a certain thickness to the sounds- even where they weren't acoustic samples there was a certain grain to them. Whereas in Grime and Bassline everything has a kind of cheapo-nasty dayglo neon plasticness to it (ie- redolent of the soft-studio/synth technology behind the creation of the tunes) -- certainly old skool speed garage had artificial elements in it, but it had more sonic depth to it (again due to the technology). Although I would add the Cheap n' Nasty aesthetic of Grime and Bassline is actually what makes them interesting, THAT is one of their twists which escapes a mere reduplication of the continuum in a sense.

Yeah, pretty much. Grain is probably a good word to use.
 

gek-opel

entered apprentice
On the master narratives thing- how far does the "hardcore contiuum" thesis come to being a dance music "rockism"?
 

zhao

there are no accidents
On the master narratives thing- how far does the "hardcore contiuum" thesis come to being a dance music "rockism"?

well i recently accused a couple of people of rockism ( probably falsely, and as if it's necessarily a bad thing?) in the Jungle-Tekno thread, for investing in the authenticity of early 90s jungle and dismissing new interpretations...
 
don't you miss the old days when it was all about the vibes bruv?

Yes. This whole thread gives me a headache, actually. I'm glad I haven't known about this theory for very long and I'm going to try and forget it.
No diss to anyone mind.
 

Slothrop

Tight but Polite
but surely you would put Paint It Black in a continuum with mid 70s disco-funk-rock? which is obviously in a continuum with house music? get me?
Yeah, up to a point. My only point was that it's only in that continuum insofar as you can trace a series of tunes influencing each other or scenes developing into each other or whatever from it through to HHC, it's not just that it has a similar sounding beat. Which seemed to be what you were implying about Algerian music or whatever, unless you want to demonstrate that Rufige Kru, 4 Hero, Danny Breaks et al came up with the beat structures they did because they were listening to a lot of Algerian tunes rather than because they were listening to hip hop and hardcore and experimenting with the functions on their samplers...

Precedent does not imply influence, in other words.
 

zhao

there are no accidents
Precedent does not imply influence, in other words.

agreed. not necessarily. i guess i'm into a looser definition of influence, in the sense that sound structures that have been around for thousands of years are kind of part of one's consciousness, regardless if the musician actually listened to those kinds of records or not...

EDIT i guess in a kinda Jungian sense... maybe i'm crazy
 
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zhao

there are no accidents
re: tiny, artifical sound of grime and niche vs. full and rich jungle and hardcore productions.

the plasticy lo-fi sounds at high volumes are a lot more abrasive/piercing/disturbing/stimulating than a more "traditional" well rounded production. and in contrast the sound-design nerd THX full-body and well-rounded thing somehow sounds a little impotent - it is ubiquitous and conventional.
 

Grievous Angel

Beast of Burden
YWhereas in Grime and Bassline everything has a kind of cheapo-nasty dayglo neon plasticness to it (ie- redolent of the soft-studio/synth technology behind the creation of the tunes) -- certainly old skool speed garage had artificial elements in it, but it had more sonic depth to it (again due to the technology).

IMO, it's harder to do the grime dayglo sonic plastic thing than it is to do grainy stuff. To do the latter you layer samples or just programme up something with a "realistic" patch. To do the plastic sound in a way that sounds primitive and basic is actually very hard to do properly. And the rhythmic invention in grime programming is significant - you don't just knock it out of Music on a PlayStation2, you have to have real technical chops (in music on a ps2!). Or Fruity - it's not easy at all to do a dillemma or a know we.

Just a geeky perspective on this :).

And anyway there's loads of "grain" on grime records - it's called MCing!
 
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