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and almost everybody spends the whole night traipsing between one room and another in a perpetual state of dissatisfaction with where they've just been, the fatal consequence of having two main rooms

if by any chance you use a mac there is a great app called audio hijack which will record the audio output of any other application as an mp3 or aiff file - don't know if available for pc but there must be some equivalent

quite contrary to his moniker & rep then

definitely going to plastic people, would also love to hear mayer but just can't do fabric anymore - does anyone else feel this way? despite the at times brilliant programming & promotion, the club is just too big & too many dicks for my liking

The shark bar opened some time in the early nineties - not much of interest there musically except that I remember Damien Harris, now boss of Skint records & presumably somewhat wealthy, used to dj there before anyone cared. The zap club used to be a great live venue as well as a small club...

laughing out loud at the idea of feeble rutting ensuing once threadbare cardigans have been divested of

yeah faust came back strong, but they weren't really away for that long, they kind of kept going in one form or another

I think this is bang on the money and Brighton was the ground zero of this phenomenon I reckon. It was probably the first place the London acid house scene spread to. I remember weirdos in brightly coloured dungarees & bandanas running amok around the town drawn by Boys Own all-dayers and the...

I'm guessing you were reading 'the maker'? For me it was the blissblogger's review of Husker Du's 'Warehouse' that pretty much kicked things off, musically - something about 'soulboys & tasselled loafers fluttering in the wind - the return of ROCK' if I remember rightly

shit that's terrible - I blame London Underground for cancelling the Aldwich tube party at which Coil were going to play the night before: events surely took a different course because of that see: http://www.seedrecords.co.uk/

surely acid house killed indie in 88 when it paved the way for the heinous indie-dance

I heard quite a convincing case that 'cool' developed amonst african slaves in the us, perhaps an extension or application of west african traditions that have been already cited in this thread. An expression of power for the powerless and a way of communicating agression without violence which...

"Anderson's rule number three: A healthy culture has mimicry of one's betters; a sick society has the opposite." Got no idea who anderson is but even if this were true - and it may well be that our society is 'sick' - who is to blame, 'one' or one's 'betters'?

Apparently a Marclay retrospective is the next big show on at the Barbican gallery

while we're in this neck of the disco woods this mix http://www.djmixsessions.com/mixes/DJ_MIX_THE_20_YEAR_ITCH.mp3 by sheffield's swag (doesn't quite work in london that name does it?) is one of the best mixes i've heard recently, for the most part avoiding overused 'classics' and with some...

gotta back this up - there are gems in that thar catalog - 'there's a woman' on the outline lp is like sci-fi beach boys don't sweat matt - it's on the cd

was francois kevorkian's drum & bass effort on that? I bought it unheard on 12"vinyl thinking of previous can related highs like Snake Charmer but it's pretty dire

the black mass by white noise

even better is a lukewarm soapy shower, combined with johneffay's suggestion it could be the solution (excuse the pun)

thanks carlos - hinten's the one i've heard but kanguru sounds more up my street - it's the unadorned drum sound on zero set that I love, contrasts so well with the electronics