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His later work (Solaris) got slammed for moving away from his traditional DnB image - but its actually a solid album when listened to without preconceptions. The album of remixes, Form & Function is actually my favourite Photek release. The man had real talent - in fact I might dig that out...

He can now be found dispensing info and attracting lovers/haters in equal measure on the discogs.com forums. Worth checking out if only for his long running series of mixes that he posts periodically.

According to the man himself, Hong Kong will be getting a reissue, for those of us who can't afford to hunt down the Chain Reaction edition. Interstate is also reissued this month.

Your writeup on Tokyo is a brilliant read, its a place I intend to go when I've got my MA degree out of the way next year. Are there any other Tokyo online resources worth reading up on? I'm fascinated by all the little details of Tokyo that people relate, I wonder if there is a website...

damn, is there anywhere in the UK stocking that magazine?

I know there are companies that will sell your items on eBay for you, no doubt it would take longer to see a return but the money back would be better than MVE?

yeah its a bad route to go down, I was hoping dubstep would learn from the mistakes of 'dungeons & dragons' DnB.

There was a something a while ago on the Beeb (it might have been the Culture Show) concerning musical subgenres and the effect the internet has had upon musical taste. In the 'old days' before the internet opened up music purchasing (or stealing) the average consumers taste was limited by the...

Of course CGI will look shite, just as black and white movies look dated now, they still retain a value, the viewer is aware of their place in history. Toy Story already looks decidedly dated, but its still a good story to watch, the artform is still there. The same can be said for electronic...

haha, I'm almost embarrassed to say I own almost every single release you mentioned there - its become more and more of a guilty pleasure as the years go by and its strange to see it come back. The artwork is cringingly bad on the drum and bass selection CDs (the worst artwork for the best...

the true post-modern era. You are right mms, I suppose alot of the new stuff is more breakcore orientated really.

The tracklisting itself is a bit simplistic, 'Original Nuttah' and 'Incredible' - but no Congo Natty or Marvellous Cain? When I first heard about the compilation I was hoping for some real insights into early jungle, not a colour-by-numbers breakdown of the obvious, including the chart-toppers -...

This is what YouTube was invented for.

hes buggered if his music is only released on a CD though.

Which is a good thing! :D I like the concept that several dubstep producers were bandying around of promo's being tagged individually so that if anything get a pre-release leak its easy to work out who the individual was and get them blacklisted by every other dubstep producer from then on...

Thats an easy statement to make until its your tracks you find people sharing on soulseek. Especially if you have unsold stock sitting in a room gathering dust. Its the true indie labels that are suffering from sharing the most, even though you only treat them as a footnote in your post...

I'm confused, surely if anyone is profiting out of music outside of Amazon it must be Boomkat. Have they closed their real doors in order to focus on the virtual?