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I'm not saying that this particular album is brilliant or anything, but if anything it's stuck in a kind of tasteful moody 1997-ness, and take my word for it when I say I would take that over the stuff he was putting his name to at various points subsequent to the milennium. I'd rather hear him...

I think this has one my all time absolute favourite exquisite bits in it at the breakdown. Absolutely preposterous levels of emotion suddenly emerging out of what starts off as a reasonably meat-and-potatoes amen jam.

I mean I'm probably one of the last of the committed DnB loyalists on this board at this stage I reckon, I still love it, I still play it out and on the radio, and I still follow it, I think this album is pretty good as far as a Rufige Kru album in 2025 goes, I struggle to think what else he...

Surprised not to see this one in here yet.

Loads of absolutely fantastic stuff in 1997, I reckon if 1998 and 1999 sound so stale and dated it's because the whole Ed Rush & Optical sound seemed like a template it would be very easy to copy so lots and lots of people did but with immediately terrible results, and this largely coincided...

Okay hear me out

Who was it was saying that Goldie got around? Because fuck me he really did didn't he.

Dillinja remix of David Bowie's Fun that was exclusive to the Bowie fanclub, who were probably the people who wanted it the absolute least.

CD single b-side gold from Dillinja, who was surely knocking him out in his sleep by this stage.

Back on topic though - this uncredited remix of Peter Andre "Mysterious Girl" is faaaaaar better than it had any right to be. Still not quite "good" good but absolutely in keeping with the original post here.

A lost techstep classic here, the Optical dub remix of Laibach God Is God.

M-Beat remixing Sinead O'Connor!

(of course there's a Subtle Audio tune in your first ffs I'm blind)

I have shelves and shelves heaving with this stuff, and never quite made the leap to Dubstep. It's my happy place still really - modern drum and bass that stays true to the roots with breakbeats, samples and sub bass but that doesn't treat the whole thing as a nostalgia exercise. It's...

As was 90's Drum and Bass.

It's somewhat counterintuitive but 10" presses are simply more expensive.