CorpseysEvilTwin

Well-known member
Prithee forsooth dost thou be verily welle-placed to frequente this forum and derive pleasure therefrom henceforth for all its indwellers are of like mynde and similarly abjure the mechanicall clanking and bestial gyrations of the modernes and their prancing-spottes

Thy is unable to asc'rtain the disliketh towards autechre on this f'rum. Aft'r all, thee people art able to agnize the s'rine englishness, the rationality and the pragmatism of the cureth and slowdive. And yet, liketh the uncultur'd bovines and knucklehead'd nincompoops thou art, thee faileth to realise yond dream'eth pop'eth wast the first truly patriotic genre which shouldst has't been develop into high artistic realms to reclaim music backeth from the barbaric krauts. Alas, alas! res'rting to an inv'rt'd thatch'rite labour fetish and dispensing with the lief contributions of authenth'c patriots such'eth maurice cowling and michael oakeshott. Wh're hast the ad'ration f'r nobility did disappear to, thee degen'rate swine?
 

version

Well-known member
I finally got into LP5 after years of not liking it, but I've mostly been listening to Amber, Sign and bits off the EPs.
 

mvuent

Void Dweller
The titles are a great illustration of their parasitical relationship with aphex. Aphex titles have a strange corporate scientific alchemical poetry. An aura, to put it succinctly. Autchre use the same format but with the aura drained away. A negative charisma. An unhappy void.
at this very moment we can probably assume that jeremy prynne is sitting, head in hands, in front of some 6th century ceremonial chinese writing desk, sobbing hysterically because he didn't come up with "windwind"
 
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