There's a pop at blissblog in this one and there seems to be some overlap with barty and luka's harlequin what with all the talk of demons and 'demonic listening'.
In the spirit of demonic listening, and in response to the outgrowth from Simon Reynolds’s much-contested “Rise of Conceptronica” essay (a sterling example of our most demonic tendencies), I proclaim the deceptive, diabolical, demonic (triple DDD #guyfieri) spirit of the 2010s as “The Rise of Deceptronica.” Deceptronica is an amazing new genre of music that the 2010s uniquely gave birth to, henceforth trademarked by Tiny Mix Tapes. Deceptronica™ is an outgrowth of demonic listening, a recursive music encoded at the diabolical intersection of obfuscation and clarity, mystery and accessibility. What makes a sound accessible for some could be mysteriously alienating to others; and, precisely at this junction, our ears pique into demonic attention.