sufi
lala
This strange thing was released quite a few years ago, i got a copy and we attempted to make a version that works online, but refactoring from its defunct software was sadly too much - we achieved a shareable version that works without the CD, which i have somewhere, a bit of a curiosity.
Then i forgot all about it and when i wanted to mention a couple of times in discussions here about spontaneously generated music i couldnt even remeber the name. & now that it's found its way back to the memory palace gates, i don't remember which threads i would have cited it - one was maybe @blissblogger's though iirc
en.wikipedia.org
Conceptually it's really a nice thing, i wish the same model could be applied to some other types of music - anyone know of any?
Then i forgot all about it and when i wanted to mention a couple of times in discussions here about spontaneously generated music i couldnt even remeber the name. & now that it's found its way back to the memory palace gates, i don't remember which threads i would have cited it - one was maybe @blissblogger's though iirc

Infinity (K-Space album) - Wikipedia
The music produced by the CD is electroacoustic improvisation that is rooted in Tuvan shaman ritual music.
So it's basically music on a "CD-ROM" rather than a music CD, you put it in the computer and it generates tunes based on a library of samples and some simple algorithms to knit them together, it's different every time but, usefully, is a good listen.The sound source selection process the software uses is not random, but algorithmic based on scores Hodgkinson wrote for the project. Each time "PLAY" is pressed, the software selects a new score which it uses to construct a new piece of music. The score consists of a set of audio file selection criteria, which vary depending on what has happened before. While there are a finite number of scores on the CD, there are many different interpretations of each score.
John Cavanagh of The Herald in Glasgow said in a review of the album that even though he knew each listening was the result of a "computer triggered sequence", it always sounded like a "cohesive musical work, as though it was meant to be that way".[2]
Conceptually it's really a nice thing, i wish the same model could be applied to some other types of music - anyone know of any?
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