Yeah, 'in tune' with the band is a better description. A skill absent from most MC's regardless.
is this a skill mcs need?
dippin into irrelevance
Yeah, 'in tune' with the band is a better description. A skill absent from most MC's regardless.
grime was over by about 05 let alone late noughties tbh
fuck radio come out in 06, axefm was entering its peak years these times, logan sama on a monday was still instant. mixtape madness was taking over (vital). the tempo specialist school of grime with the sped up chipmunk soul samples or w/e defo was in d decline phaze but nonetheless them years were good n def not important/not worth remembering
i was out of the country in road rap peak years so i cant really weigh in on it too much.
snm
Not trying to be presumptuous here, but what Im taking from this is that you havent listened to a lot of dancehall records/stageshows/soundtapes.
so what separates us hip from road rap? technique, subject matter, style, all interchangeable really and truly
the criteria you listed there is pretty subjective, inventiveness? vocal quality?
is it harder to ride a slow reggae beat or a skippy 130 production and sit on it like it is a slow reggae beat?
anyway in terms of flow, rhyme structure, lyrics i dont think it's close, ability wise we're talking about different leagues here unless you wanna say sugarhill gang is the pinnacle of rapping
there's certain things dancehall mcs have over grime mcs/rappers most notably stage presence because they're more performers than spitters, i wouldn't even lump delivery in with stage presence so yeah thats it
not to minimise their contribution to uk music or whatever but in terms of technique that shit is pretty much stone age and you could never convince me otherwise, much less that the best uk mc comes from reggae sorry
You proposed that the vocalist being the domineer of dancehall shows their superiority in quality MC and I challenged a lot of that, but that's because I argue that what makes for great MCing in a Ninjaman is actually not a positive in a MC in grime's context.
lol. Y'know Daddy Freddy was the fastest MC in the world for about 20 years dont you? That there's plenty of dancehall tunes that roll out at 100bpm+ with double time vocals?
im not just talking about spitting double time hundred mile an hour bars with no care for delivery, lyrics or none of that, like i said make a 130bpm beat sound like lovers rock, from you missed that nuance u must not know/care too much for the technical side of emceeing
There's barely a handful of grime MC's that would have made it onto the wings of the stage at a dancehall gig anytime in the 80's or 90's
is this the criteria for being the best uk mc now, why do the goalposts keep moving
and as for road rap vs US hip hop? Where is the UK's Rakim, Chuck D, Guru, Busta or Dirty?
when u first started talking about best mc and all that it was ability, you said on ability the only thing close to reggae is us hip hop now you wanna talk history/lineage? like i said before to say an mc out of the reggae era or whatever is better in ability than any grime mc is just foolishness, like saying sugar hill are better than vado
when u first started talking about best mc and all that it was ability, you said on ability the only thing close to reggae is us hip hop now you wanna talk history/lineage? like i said before to say an mc out of the reggae era or whatever is better in ability than any grime mc is just foolishness, like saying sugar hill are better than vado