See, that's not actually it at all.
The lyrical expanse is occuring. Tinashe's album concerns a lot more than just partying and turning up, TY$ has written on his singles and his tapes/EPs about greater material than the sleaze. They just aren't always on this production for the artists, but they happen.
Take the full length version of Tinashe Checks In from the Mustard album.
<iframe width="560" height="315" src="
https://www.youtube.com/embed/tBMJrz-owDg" frameborder="0" allowfullscreen></iframe>
There's obviously a lot of the same symbols and signifyers of ratchet; but its also Mustard experimenting with a more G-Funk/Trad R&B sound, and also Tinashe taking a tragic take on failed romance. You got the Mila J song I linked to which is all about female solidarity, or the Bobby Brackins song which is about music in general and essentially has nothing to do with sexuality.
Saying this stuff is just straight up party misogyny is a gross reduction of the artists working here, the same way we know dancehall is INFINITELY more expansive than its crudeness.