The sound design is an element
This is the only part of the argument I buy, to be honest, and that is largely because I don't understand the nuts and bolts of it.
I mean, when I listen to 'Jah - the Seventh Seal' I can hear exactly what you are describing (and I attribute that to the sonic stamp of Dillinja). If the rest of the LP sounded like that, I would agree with you. But it doesn't.
It does sound like it is technically intricate, apart from the moments it sounds inept (like you say: 'State of Mind', 'Adrift', 'You & Me'). 'Kemistry' and 'Angel' sound ahead of their time, because when they were
actually made they pretty much were, and we all knew them anyway, and remembered that. The rest of it sounds like a very sophisticated technical performance but aesthetically grandiose, kitsch or simply stillborn. Which makes me think it is a producers record, the true brilliance of which can only really be understood in technical terms.