With their own history of controversial sampling, the KLF agreed to a settlement: Wanda received a payment, a share in royalties and co-writing credits on the U.S. release of the album The White Room. Under the agreement, Wanda also appeared in the "Stadium House" video to "Last Train To Trancentral".[4] Drummond and Cauty also agreed to produce a track for Wanda's upcoming solo album, but this collaboration never materialised. Wanda described her involvement with the KLF, beginning with the latter's copyright infringement: "I wasn't INVITED into The KLF, I was IGNITED!"[3]
Wanda's temporary involvement with the KLF - including the album deal - abruptly ended when Drummond and Cauty left the music business in early 1992. Even before that, the duo had vehemently refused to advertise their records by going on tour. After they had disbanded (and deleted their back catalogue), Wanda took off on a two-year concert tour that spanned 150 cities in 90 countries. The show, dubbed "The KLF Experience featuring Wanda Dee" or "The Voice of KLF, Wanda Dee", combined the KLF's pre-recorded music with her own live vocals and lavish costumes.[2][3][4] Drummond and Cauty, who were angered by Wanda's use of the KLF moniker, pleaded with their U.S. distribution company, Arista Records, to issue a cease and desist order, but the company ignored these requests, estimating that an international tour would only boost their sale of KLF material.[2] Wanda's repeated claim that she had been an integral or even the decisive part in the KLF's success[2][3] raised controversy among observers.[5]