k-punk
Spectres of Mark
Actually I think it was on BBC3 not 4...
Perfect Kiss... for me, painfully awful now... I have all their singles up to Technique I think, but there's something in general about that mid-80s period (the fairlight clunk a sonic equivalent to big hair and shoulder-pads) which makes it horribly dated, an urge for contemporaneity which somehow bypassed the iciness of modernism in favour of a dull gloss that was warmly ingratiating but instantly disposable...
Power, Corruption and Lies is where it starts to go wrong for NO IMHO... The early singles, where they are trying to imitate themselves still do it for me... like Joy Division with the centre (Curtis) imloded into a black hole.... the early NO much more impersonal, impassive than JD .... 'Blue Monday' the template for a bleak dance music that they were unable to follow (but others would).... But the turn to blokishness, towards willed desublimation ('we just make up the lyrics, they're nonsense', 'it's just a job') was already in place on Power Corruption and Lies: a certain thawing.
I'd be prepared to reassess Disintegration; the three I wrote about + 'Three Imaginary Boys' are the only ones I have intimate knowledge of really.
Perfect Kiss... for me, painfully awful now... I have all their singles up to Technique I think, but there's something in general about that mid-80s period (the fairlight clunk a sonic equivalent to big hair and shoulder-pads) which makes it horribly dated, an urge for contemporaneity which somehow bypassed the iciness of modernism in favour of a dull gloss that was warmly ingratiating but instantly disposable...
Power, Corruption and Lies is where it starts to go wrong for NO IMHO... The early singles, where they are trying to imitate themselves still do it for me... like Joy Division with the centre (Curtis) imloded into a black hole.... the early NO much more impersonal, impassive than JD .... 'Blue Monday' the template for a bleak dance music that they were unable to follow (but others would).... But the turn to blokishness, towards willed desublimation ('we just make up the lyrics, they're nonsense', 'it's just a job') was already in place on Power Corruption and Lies: a certain thawing.
I'd be prepared to reassess Disintegration; the three I wrote about + 'Three Imaginary Boys' are the only ones I have intimate knowledge of really.