What did everyone here think of Ghetto's latest offering? I'm only on my second listen, but I think it might be his worst to date. My problem with Ghetto is that for all his technical proficiency when it comes to flows, he seems to be really unusually stupid. A kind of angrier Mos Def. I'm not saying you've gotta be Yeats to be an MC, but if you're going to wink and nudge at everyone everytime you drop a simile or metaphor, you might have to try a little harder than "I'm hard like a penny" or the now-classic, "I'm from a place where deaths are fatal."
Also it's a shame that at the beginning of the album he suggests that we were fools to think he was just a war MC and then the best two tracks on the album (by far) end up being "Destruction of the Eiffel Tower" and "All Black Winter".
we were driving home last night so missed it but the prospect of elijah and skilliam showing up with all their old school grime vinyl then trim and even scratchy MCing... well, did they have the show of their lives last night or what?
Hope that Swindle tune comes out, it is quality. What's it called Elijah?
no name yet only made a few weeks ago
i'm a total ghetto addict and i'm a bit let down by this. after a few listens there just isn't enough hype/angry stuff, which is what he excels at. i really like his honesty though, his fearless 'freedom of speech' to explain how his, *ahem* 'mind works' i guess.
A lot more roap-rap styled tracks than I thought there'd be as well. I'm not sure about Ghetto's "honesty". He's always seemed a bit insecure to me, always on this permanent hype ting (but a serious one, much more earnest than the tongue-in-cheek aggression of, say, Tempa T or Badness). In fact, the Movement are kind of a squad of chronic overcompensaters: Scorcher's hopeless American Gangster projections, Wretch and Devlin's embarassing "I'm too metaphorical for you blud" attempts at wordplay, etc.
When I think of honesty in grime I think of people like Wiley, JME and D Double E. Their styles and personalities are so unique and eccentric and campy; they seem to embrace the ways they are different from their peers. I mean, maybe Ghetto is how he says he is, but even if he is, it doesn't really make him interesting, yaknow?
And the way he gets so emotional when people challenge his masculinity! Remember the Bashy "you got raped in jail" incident? That was just uncomfortable.
the Movement are kind of a squad of chronic overcompensaters: Scorcher's hopeless American Gangster projections, Wretch and Devlin's embarassing "I'm too metaphorical for you blud" attempts at wordplay, etc.
Wretch 32 is fucking rubbish; no charm, "swagger" obsession, useless allegedly "deep" bars, one of the worst mixtapes I've ever bought. Nah.