I just got Person Pitch, based on recommendation and then listening to a bit of it on a listening post at the new
Rough Trade shop by Brick Lane (woo hoo for that, btw, and good luck to them). I think it's a great record.
I agree with noel emits who praised it for its singular aesthetic: it certainly has a very singular aesthetic. The impression that I got with it also was that it could be the sound track to a dream, or to those hynagogic moments on the cusp of sleep. Kevin Shields has said that he tried to recreate that sense in his music - and succeeded imho.
On noel emits' point on singular aesthetic and albums that create a perfect world of their own ... other albums apart from those he mentions that I think demostrate it are: Pet Sounds (Panda Bear's been listening to that a lot I think), Super Ape by Lee Perry (you could argue that all of Scratch's work demonstrates a highly singular aesthetic), Velvet Underground Live 1969, Colossal Youth.
It's a hard thing to pull off, cos if you go too far everything just sounds the same.