Thanks too everybody who has replied, thanks too egg for the plasticman link. i know little chris well. corr where do i start? also thanks again too all of you out there who have actually bought GROOVECHRONICLES records and still support the scene in what ever shape or form.
i do understand change or musical development or even LIFE as i would say, i'm not a young man anymore(30 plus) so new producer of now are being influenced by what they see and here.
For me at the time it was growing up with funk, electro, rare grooves, house, disco, pop etc.. 1970's tv break dancing, graffiti everything which is now.
And everyone had a link too each same schools, hanging around the estates together , cousins, families we where all on the same tip.
What shaped me musically was beening involved in the acid house era, beening a young raver, too actually working in night clubs, too ending up producing music, and spending a number of years in working in recordshops learning the trade ie passion records(inside mash oxford st) zoom records camden, unity records beak st, unit 2 dean st, flying records dean st, release the groove denman st, uptown records d'arbyl st.
All what happened to myself just happened, if you can understand that? I can try and give you a kind of history of this musical hybrid jounery that i've had.
I still making music, and the website should be up and running. There is a lot of tracks which i've produced and remixed coming on vinyl, or remixes just streamed on the site ie lil bow wow, destinys child, 112, sia, jagged edge, to name but a few.. kool for those who call remember the older tracks on the label, but to answer a few questions i did produce all the groovechronicles music, while lewis(el-b) as i called him engineered.That's how it worked one as the idea's and the other pushes the button, i dont really what to comment on his production work to date, because we are too separate individuals. And currently i'm working on my own which is a good thing..