Bun-U - with all respect to the point you've made (and I understand the suspicion) I think you're reading things into my posts that just aren't there. My points don't relate exclusively to Dizzee and other 'ghetto' artists, nor am I seeking to live vicariously in the ghetto through grime (at least, no more than can be alleged against any middle-class person who listens to music 'from the ghetto').
My point would be the same if, say (this may not be a well-thought out example, but I'm sure you'll understand my point), Superpitcher or Aphex Twin hinted that they wanted to use real instruments instead of synthesisers, and started to say that their early productions were a bit limited. And for all I know, these two artists could be, demographically speaking, very much 'like me'. Personally, I don't give a shit if Dizzee Rascal is making his music out of Bow or a penthouse in Chelsea, just that it's not afraid to be 'musical' on its own terms, and doesn't try to fit other people's notions of 'musicality'. Surely this adventurousness iswhy most of us love grime?
And when did I seek to deny Dizzee the right to pick up new influences? Indeed, it's quite possible (as many have remarked) that Sylvian and Sakamoto could have been influences on some of the 'Boy in Da Corner' tracks, and Dizzee often mentioned his love for Nirvana in interviews - clearly he already has a wide range of influence from all corners of the music spectrum.
And it's you who seem to be calling Dizzee 'ignorant', because I certainly didn't.....