N
nomadologist
Guest
Ha. I definitely don't think most musicians care about criticism: when I was doing PR, they'd usually just toss the clippings in the trash after glancing over them for a second...
this is like 'it is up to you to be gekians if you wish, i will always be reynoldsian!' (cf return to reynolds)![]()
Huh? Oh I was reading a thread on ILM where they were roasting Reynolds' essay and methodology, but his line of thinking just makes more sense in context. And critic-creative interaction is a good thing in terms of increasing fluidity of a culture I think, too often the division is artificial... (french New Wave anyone?) its something that makes less sense in a world where criticism is dominated by broadsheet media tho, who are notably uncommitted in any sense
this thread is now moving into more interesting territories - about the double bind, are you thinking of the hypothetical schizophrenia aetiology?
that was a reference to lacan talking about freud (and i think it may have been a paraphrase of a somone else)
so you are lacan, i hope that's acceptable![]()
this thread is now moving into more interesting territories - about the double bind, are you thinking of the hypothetical schizophrenia aetiology?
Before monotheism, the individual subject just didn't have all sorts of significance or clout--it definitely was seen as a function of the society, group, tribe, whatever.
have you read The Anti-Oedipus, Gek?
I think it's easy to see how those conflicting demands could lead to alienation (from self as well as society/world), angst (dread) and shattered identities. Actually I have a lot of time for Laing in relation to this.
It's my understanding that the effect of psychedelic drugs <i>is</i> comparable to schizophrenia in terms of brain chemistry.