Benny Bunter
Well-known member
Vibrate dead nitrous film streets
One bit that jumped out at me is this:
"Better than 'the real thing'? There is no real thing - Maya - Maya - it's all show business."
(p87 of the Penguin Modern Classics edition.)
Which I assume is a reference to the concept of 'maya' in Hinduism and Buddhism, meaning the 'illusion' or 'magic show' whereby the world as we subjectively experience it passes itself off as true reality, but for Burroughs of course it's also the name of his favourite pre-Colombian civilization of Mesoamerica.
I think this is probably the heart of the book. I need to go back and read the 'mayan caper' that's in the soft machine to try and get my head round it thoughOne bit that jumped out at me is this:
"Better than 'the real thing'? There is no real thing - Maya - Maya - it's all show business."
(p87 of the Penguin Modern Classics edition.)
Which I assume is a reference to the concept of 'maya' in Hinduism and Buddhism, meaning the 'illusion' or 'magic show' whereby the world as we subjectively experience it passes itself off as true reality, but for Burroughs of course it's also the name of his favourite pre-Colombian civilization of Mesoamerica.
@sufi is a fan. he was friends with Richard Aldington and blurbed his book A Dream in the Luxembourg.Anyone here read any Lawrence Durrell? He gets mentioned in that Burroughs lecture and sounds interesting
"Mr Laurence Durrell has led the way in developing a new form of writing with time and space shifts as we see events from different viewpoints and realize that so seen they are literally not the same events, and that the old concepts of time and reality are no longer valid."
I've been puzzling over what makes The Image so powerful since starting this. Flusser, in that interview I posted the other week, says the philosophy of images has a long history and most of it negative because there's a prejudice against the image in philosophy's Greek and Jewish tradition, the image is viewed as a copy, a simulation of thought, to be either forbidden to make or to be accepted with great distrust.