Yes we know everything you do is Marxist. I bet you do Marxist breathing techniques and use Marxist shampoo and cook only Marxist recipes
This is the 'masculine vibe shift' @sus Keeps talking about. Third came of age in a brief moment of time when the 'white cis man' was being pegged back. Thirds rise to power came then, in that moment. But now the white cis man (exemplified by dilbert and trump) is back. They're mad and they're not going to take it any more.
All I did was post some decent tunes, nothing more nothing less. Its been my mission my entire dissensus career. I don’t make arguments about “white people” or “the hardcore continuum” that’s your job
There's just something in original jungle what the revival stuff doesn't have... For example basslines: like this track has space in bassline, and generally bassline melodies were catchier. The humble sine bass needs some effort to sound good I guess.
I guess musical influence is one thing. Original junglists were directly influenced by rare groove, reggae, hiphop, acid house/techno/rave. I think the oomph, impact and immediacy comes from rare groove/reggae/hiphop, which has that "real" immediacy compared to dance music. Also the original working class raves must have influence, where ravers went to actually have funI'm fascinated by just why it is these things can't be recaptured, some endlessly complex combination of changes within the environment, the people, the technology. You can have producers who were there, give them the same gear they had back in the day and even they will struggle to tap into whatever it was.
another one from Sully I really like
The guy is indisputably a master of the craft when he wants to be. It's when he's less subtleI tend to take a different turn and not be so down.
Like Phineus II and unlike the Bryce (imo) he nails the uncanny valley time dilation effect. That for me is how the way new jungle can evolve, when you know it couldn't have been made (given the standard set up of akai s900) in 93-95, even if it does not sound inconceivable that such tracks could be made in top end studios in 93-95. The bueaty of even detroit techno is that it uses fairly budget equipment. The real top end stuff is in recording studios of Oasis or Celine Dion or whoever, and hence it is a complete and utter waste of technology.