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There's an almost philosophic point at stake when these pastiches reach such a level that they're indistinguishable from something that would have come out in 1998. I had this discussion with a friend who was into garage the first time around when I sent him a DJ Q tune which I liked (a Brandy remix I think?) and he was firmly on the "what's the point?" side of the debate.
It's a weird one isn't it, because you could say "why NOT keep making garage/jungle tunes to infinity and beyond, if we're happy enough to play old jungle/garage tunes to infinity and beyond?" but OTOH there's something about it that seems antithetical to what dance music culture (certainly 'ardkrore culture) is all about.