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ahhhh Draaimolem I presume?

likely

funny last time ive seen him perform was at Hundred Years in an ensemble with a friend of mine, Toop would do shit like throw out a handful of feathers into the air and bow a piece of pressed paper

thinking to go to this rave in Ams in couple weeks, presumably very good soundsystem, and skimming through their soundcloud stuff they play seems rather decent

fun wonky bassline

people are less patient and at the same time have more options, infinite race of intercommunication between the mind, hands, and the equipment I would argue a large part of the "rawness" of what used to be was a matter of inner discourse of giving up somehow todays ways of working dont lend...

in the analog vs digital beef classic what people very like to do is fetishise the "analog sound warmth" and such, which at this point can easily be emulated, while the point should be much more about the specific ways of working your equipment lends itself to or even enforces upon you and here...

sounds are all the same all over, but a particular sound is only accessible via particular methods, or, you could say, some methods lend themselves to making some sounds especially

looks like a GTA VI mission

well yeah

just checked and the original supercollider release was also 1996. what a crazy time

looks wacky compared to the dekmantel lineup lol, this one's more of a promise of going out for a few days and then you can safely retire for the rest of the year, almost anyone you could want to see in this part of the world is on this: https://dekmantelfestival.com/

its a pile of shape platform core and a bunch of other artists who just tend to play everywhere in europe these days, still can be a nice visit to the north sea for a few days possible I stick around to see lukas de clerck and panda bear, unless im in london at that time...

@woops what did people use before that time? was it all trackers or something else?

is it that after at moment it had been more or less settled what is understood as being proficient and good with this new gear? Both Powerbook G3 came and Max/MSP came out in 1997, Native Instruments Reaktor just slightly earlier, in 1996

something happened with or after the PowerBook G3 release, and there was no turning back

I’m still struggling to understand which bits of the functionality are free with ghost actually? The trial-upon-registration thing confused me a little and there’s no “free tier” to whatever kind of service you can get from them

yeah too too many acc bros, some dogwhistling, some very mid cultural writing. I like their app tho, it's a nice scrolling alternative to something like twitter, ingesting multiple medium sized texts during lunch etc.

this thread is the reason I am considering moving back to London for the second time