Search results

New DirtyMinds EP is ruff as well

Re: London vybez in the deep tech sound, a little snippet from my interview wit Mark Radford. D: So you know there's always like, the sound of London, like London radio always has something going on; like jungle, drum and bass, speed garage, 2-step, grime, dubstep, you know there's always...

Just to reiterate, The Master is a rassclart bangeerrrrr EDIT: Anyone who thinks deep tech isn't road just needs to listen to how badly everything is mastered

What's wrong with people changing their minds! I know I did with this stuff. It just took me showing him some songs I reckoned were more up his street based on what I know about his taste in music... I still think the name is boring as hell, totally inadequate for this amazing music. And...

http://energyflashbysimonreynolds.blogspot.jp/2014/06/deep-deeper.html One by one they come around!

PS. This honestly wasn't a sideways diss as you fam! lol. I've always enjoyed your writing and feel you were really the go to writer on dubstep, grime and funky for much of the 2000s. If you're not feeling what I'm feeling now then it is what it is, but I more just mean a total lack of people...

In the soundcloud description. Wicked name, ghosts of sublow :D

Oldie but goldie, came across this in a Jamie Jones' recent beatport DJ list of all places... http://www.beatport.com/track/jackpot-robert-james-remix/3531549

Absolutely ridiculous :D listen to it all the way through without skipping ;)

Re: Reynolds, I don't have a problem with his 'borderline fetishism for modernism', I think one of the most progressive/liberation/powerful elements of art is it's ability to create wholly new worlds, brand new idea, to literally expand the limits of reality (the 303 acid house bassline didn't...

That was me trying to give Reynolds a little "in" into deep tech. It worked really well obviously lol. I don't think Reynold's judgments on UK rave music have been on point for a while. He was probably right when he saw something a little limpid in dubstep. He was 100% wrong about UK funky, and...

The best thing about the deep tech scene is specifically that it has a real mix of ages. I think Area 8 are like 19, 20 and the house tune that inspired them to make music was Julio Bashmore, Au Seve.... And at the same raves you've got RS4, Martin Ikin, Mark Radford. Was this the case with...

As the chief of Audio Rehab I guess he knows he's got to keep the levels high. It's pretty obvious if you're not bringing your best when you've got those producers around you!

Radford played this on his last rinse show: Love it! Proper #emotional vibes. He's really upped his game as a producer...

Didn't realise that about Shorterz! how's it go with the rest of the stuff he plays? Yeah, it is a typical DJ Q 4x4 track, the drums in particular are unmistakable. The bass for me is definitely a take on the deep tech sound, it's that same one note FM bass vibe. I just see this as a DJ Q track...

And not a million miles away from this: but some how just awkwardly more on the house & bass side of things... which probably shows the terms have a lot of overlap at the moment..

DJ Q going Deep Tech? In that inter zone between deep tech and house & bass which is seeing a lot of activity recently. Martin Ikin gets booked for 02:31, people like Tough Love, the jackin basslines on all of Louie Anderson's stuff.

http://www.beatport.com/track/bare-my-soul-feat-jamie-lewis-maff-boothroyd-remix/5390521 This one is almost like bate electro house gone deep...

Big up! Absolutely ruff tune! Love that "I don't belong here" sample, proper darkside b movie vibes. That Tazer track is a monster too!!!

this is sick!!!