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https://www.poetryfoundation.org/poetrymagazine/poems/27936/runes This is about the stillness in moving things, In running water, also in the sleep Of winter seeds, where time to come has tensed Itself, enciphering a script so fine

Howard Nemerov poem

Or Arizona

Even now you go to Florida or Mexico to die, if you're an American.

And also that Keats, Shelley, Byron went to the sunny south to die

Ulysses as prototype for the Drowned World

I'm young at heart

I am slowly growing to disdain but it is good when young to track the timely

Do you have recommendations for this? How to make this happen? Under what conditions you've observed? Where I might learn more? Other than perhaps an intense concentration altered headspace and careful scrutiny of my own work?

It's different but I was thinking today about how in Christian iconography traditionally. You don't look at the Saints the Saints look at you. Archaic Torso of Apollo etcetera

The information is encoded in the language itself? The social structure that shapes and is shaped by language?

I feel I have written seriously but I'm not sure I've experienced that feeling except on acid

Post your stack

I came here to say that too

Any standouts or recomiendas for me?

The one I read is a fiveway conversation between the wind, the water, a gnome, and two children

https://www.poetryfoundation.org/poetrymagazine/poems/27462/a-day-on-the-big-branch What you think @Benny Bunter I really like. Doesn't feel artless but feels plain and clear in a lovely way. Like Tony Hoagland but more consistent and less colloquial

Spanish as a language already contains a theory of hyperstition. Yo creo, yo creo: I believe, I create. Hecho un hecho: facts are created

The pastoral I'm working on now has tones of Portuguese Spanish Italian Catalan Occitan French Latin it's all very lovely the foreignness is extremely helpful and you start to get a sense of the structure of our postRomanEmpire culture we all live in I love how in Italy we say to each other...

I think you should DM me every time you get such a phrase in your head. And then I will compile and edit them, Pound to your Eliot