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best pill ever

this would have been called progressive house or trance back in 1993 the third track into mix -- roughly 4:00 to 7:30 -- the one that goes "i'm in love/i'm in the mood" looped over and over again -- yeah, my friend from brighton used to always play that song -- think that came out end of 92 a...

i'm partial to cajual records . . . . relief is too technoid and "hard stomping," cajual's got more soul AND more sass don't know this label, will investigate i like some of the early tenaglia stuff -- things like soul boy's "harmonica track" and cocodance's "angels of love" and soul...

i was checking to see if there was already a thread about "whatever we want" records and came across the baldelli thread, so i thought i'd resurrect the topic . . . . so what's the deal with this label? they're based in brooklyn and yet all their distribution is in europe evidently? is this a...

argh! bardo pond -- probably the worst live show that i ever paid money to see in my life, back in 97 or thereabouts, at the now-shuttered side door club in st louis mo -- the lead singer was so depressed/depressing. i suspected she was on the outs with the other band members or something. or...

i realize this is not the most sporting of questions, and dissensus may well not be the appropriate forum for the question, but what do people reckon are the top 20 or so house tracks post-1992? let's say broadly within the "deep house," "trad garage" and "nu disco" categories . . . . some of...

just one more, i swear rebel mc excerpted from dance energy 1989 (((though u.s. house scene was pretty intense pre-92, i never experienced anything as full-on as the early uk rave parties . . . . so it's like i watch these videos w/ the nostalgia of never having been there)))

okay, i promise i'll stop monopolizing this page of the thread . . . . m lamar -- he bartends and often performs at no more blue mondays -- in bushwick -- on broadway at dodworth beneath the j train

and a question that's been bothering me for a while . . . . is awesome 3's "hard up" an early version of "hardcore uproar"?

and the blackburn rave series part 1 part 2 part 3 part 4 part 5 and last but not least hardcore uproar and one more time = encore

and here's a beautiful missing persons video ladytron outhud mark stewart grace jones associates malcolm mclaren w/ willie ninja b-52s kid creole deee-lite latour danielle dax cocteau twins

here's one of my friend's (and only client's) spontaneous art

since we're on the subject, how does one embed a youtube video in a myspace comments box?

or is it black cat bicycle club? talk about drug-addled hip hop hippie freaks . . . .

wait one second, is dj porkchop ss a member of excepter? he's the dj of choice among the black rebel bicycle club, who used to live beneath me when i was in an illegal flat 3-4 years ago on bedford b/w myrtle and willoughby, i.e., the bicycle gang that rides around town with the seats jacked...

never seen excepter -- but i will be checking them out! -- really like their sound/image -- and from the rockstepper song, they've got a touch of happy mondays in their blood seriously nomadologist, i should be upset with you for not mentioning them to me personally

actually, the person who sent me the link used to do parties on the crescents -- that is, the "epping walk" parties circa 1990 he grew up in salford, but had uncles and cousins in hulme -- so by the time he was 15 or so, he spent most of his time in the crescents -- around 86/87 -- and for...

errr, yes, i'm hearing "old latin stuff" outside my window as i write

and with the late heidegger, i think this "despair" is a sense of irreversible decline -- i.e., that capitalism/globalization and modern science now have so much historical momentum that no successful interventions are possible i.e., rousseau was a critic of the modern project and modern petty...

he's reminiscent of heidegger's student hannah arendt in the above respects arendt treats economic questions as mere administrative issues -- and she bases her disdain for the economic on aristotle's (or the classical greek) distinction b/w the public and the private -- or rather, this is...