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putting this here, a discovery i was amazed by a while back ; very late 90s digitized musique concrète in this feminine sensory safe space. essentially an opposite to the electroacoustic overload and dated in that sense because it makes use of keyboard presets and stock sounds and so on. the way...

maryanne amacher!! good lord, her music is for times when i don't care about listening environments anymore. i love her, a definite figure in electroacoustic overload. usually within the autistic experience this would be a big no-no. but i ended up being a part of the merzbow generation (the...

that's what i meant by my academic worry!

[looped clips of daniel lopatin breathing]

he's so misunderstood!! okay really, i immediately defend the likeliness of any artist i love. the 9/11 remark was an allegory but i feel like i'm putting myself up for grabs by saying he was right. better than damien hirst just plainly saying it was a mad real work of art. and he got away with...

suddenly remembered "pumpkin (ambient)"... plutonian ideal. tugged a little at the soul of kpunk and realized this is musique concrete at its finest. playing a sample back so impossibly slow that it gains an entirely new texture because of technological limits. goldfrapp's vocals cover it a...

i can see where the target went for this thread, oops. i appreciate it either way! this stockhausen piece (a background from dienstag aus licht) is a good overload. colossal monolithic textures. nice and suffocating but maybe just more warm sounding

very guilty of loving this track. the buildup at 2:47 changed me hearing it as a kid, it maybe opened up a world of drawing out absolutely anything memorable with reverb to me.

i like rkss but their approach to sample packs could have been done better. maybe more tactile. the closer to dj tools, here, though. really good. should have been the style of the whole record. kind of the music that plays in my head when i've just about been through enough for the week...

everyone, including theo burt himself, said it was basically like gas and basic channel etc LOL. what i love here though is that there's a kind of ontological state. is there already this beautiful hazy atmosphere present in the trance anthems? or did it make itself present when the process took...

just remembered a perfect subject for both EDM and electroacoustic that'd fit very nicely in this thread; the automatics group's "summer mix". uses EDM as a meta-concrete material, maybe pushing it into the abstract because it was created by mathematically-temporally smearing EDM anthems. so...

to go back to classical, original piece that evol interpreted, continuum, is beautiful. ligeti is one of my favs. hungarian rock and musica ricercata potentially have proto-trance arpeggios. especially on barrel organ. see at 12:18. ligeti is acoustically overloading. a nice touch after all the...

if we're talking rave (inevitably), we're talking evol

denis smalley gets VERY freaky with sounds honestly. wish he had a retrospective comp or something. second half of this always gets to me

haven't fully heard either. me being me i opted to love the opera side of stockhausen. the licht cycle touches on his later electroacoustic side more. dienstag and freitag especially. not dated at all honestly! but my "academic worry" is about how exaggerated the focus on creating...

funny because sote's last few records could almost be considered a continuation of dariush dolat-shahi's "electronic music, tar and sehtar", and that one definitely matches the electroacoustic overload that i cherish with this thread

a big sneeze admittedly i like some stockhausen. i think the academia is a problem. maybe i'm naturally academic?! anyway. robert ashley is another good point. "automatic writing" isn't overloading whatsoever but it's very definitive. kind of man uniting with machine. or man uniting with...

the beauty in musique concrete/electroacoustics is that it's so densely coded, the sad part is how it's so academic as i've said. there's a lot to obliterate but a lot to cherish. it does obliterate a lot of material and cherish it either way and so that material is dematerialised. musique...

used the above quote in an essay on medium a while back but enough i am young and on the autistic spectrum and probably for half of this decade i've been using extreme deep ends of music to cope. rock is a scapegoat i learned from, drone and noise are basic bridges. i think the past few days...

another stage of eshunian thought ?